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Caciando per gustar de quel tesoro; Ai cinti, ai toppi, ai brettiThree-voice caccia by Antonius 'Zacharias' de Teramo SourcesFlorence: Biblioteca Medicea-Laurenziana, Palatino 87 (Squarcialupi Codex), fol. 176v-177 (3/3);Modena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 17v-18 (3/3); Montefiore Dell'Aso: Biblioteca Prof. Francesco Egidi, fol. 1 (Tenor only); Strasbourg: Bibliothèque Municipale (olim Bibliothèque de la Ville) 222 C. 22, fol. 2 (Contrafactum)(lost). Facsimiles1. MARROCCO, W. Thomas. Fourteenth-Century Italian Cacce, Cambridge/Massachusetts: The Medieval Academy of America, 1942, plates IIa,b (MOe5.24).2. Il Codice Squarcialupi edited by F. Alberto GALLO, Lucca: Libreria Musicale Italiana, 1992. Editions1. WOLF, Johannes. 'Florenz in der Musikgeschichte des 14. Jahrhunderts', Sammelbände der internationale Musikgesellschaft, III (1901), no. 1.2. MARROCCO, W. Thomas. Fourteenth-Century Italian Cacce, Cambridge/Massachusetts: The Medieval Academy of America, 1942, p. 6 (Fl87). 3. Der Squarcialupi-Codex Pal. 87 der Biblioteca Medicea Laurenziana zu Florenz, edited by Johannes Wolf and H. Albrecht, Lippstadt: Kistner and Siegel, 1955, p. 328. 4. Early Fifteenth Century Music, edited by Gilbert Reaney, [n.p.]: Hänssler-Verlag, American Institute of Musicology, 1977. Corpus Mensurabilis Musicae 11/VI, p. 126. 5. Italian Secular Music, edited by W. Thomas Marrocco, Monaco: Editions de L'Oiseau-Lyre, 1977. Polyphonic Music of the Fourteenth Century X, p. 117. 6. CALDWELL, John. Medieval Music, Bloomington: Indiana University Press, London: Hutchinson, 1978, no. 71. Text Editions1. CORSI, Giuseppe. Rimatori del Trecento, Turin: Unione tipografica editrice torinese, 1969, p. 1100.2. CORSI, Giuseppe. Poesie musicali del Trecento, Bologna: Commissione per i testi di lingua, 1970, p. 312. Literature1. WOLF, Johannes. 'Florenz in der Musikgeschichte des 14. Jahrhunderts', Sammelbände der internationale Musikgesellschaft, III (1901), p. 607.2. BONACCORSI, Alfredo. 'Un nuovo codice dell' Ars nova: Il codice Lucchese', Atti della Accademia Nazionale dei Lincei, Ser. 8, I/12 (1948), pp. 566-567. 3. FANO, Fabio. Le origini e il primo maestro di cappella: Matteo da Perugia. Part 1 of La cappella musicale del duomo di Milano (with G. Cesari), Milan: Ricordi, 1956. Instituzioni e monumenti dell'arte musicale italiana, nuov. ser. 1., pp. 35-36. 4. FISCHER, Kurt von. 'Kontrafakturen und Parodien italienischen Werke des Trecento und frühen Quattrocento', Annales musicologiques: moyen-âge et Renaissance, V (1957), p. 45. 5. ELLINWOOD, Leonard. 'The Fourteenth Century in Italy', [chapter 2 of] The New Oxford History of Music. III. Ars Nova and the Renaissance, edited by Dom Anselm Hughes and Gerald Abraham, London: Oxford University Press, 1960, p. 64. 6. FISCHER, Kurt von. 'Neue Quellen zur Musik des 13., 14. und 15. Jahrhunderts', Acta Musicologica, XXXVI (1964), p. 91. 7. FELLIN, Eugene C. A Study of Superius Variants in the Sources of Italian Trecento Music: Madrigals and Cacce, Ph.D. dissertation, University of Wisconsin: 1970, passim. 8. FELLIN, Eugene C. 'The notation-types of Trecento music', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 211-224. 9. BAUMANN, Dorothea. Die dreistimmige italienische Lied-Satztechnik im Trecento, Baden-Baden: Valentin Koerner, 1979. Sammlung musikwissenschaftlicher Abhandlung no. 64, passim. 10. ZIINO, Agostino. 'Magister Antonius dictus Zacharias de Teramo: alcune date e molte ipotesi', Rivista italiana di musicologia, XIV/2 (1979), pp. 335-336. 11. HALLMARK, Anne. 'Some evidence for French influence in northern Italy, c.1400', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: Cambridge University Press, 1983, pp. 193-226. 12. NEWES, Virginia. 'Chace, caccia, fuga: the convergence of French and Italian traditions', Musica Disciplina, XLI (1987), p. 35. RecordingsMusic au temps des Papes en Avignon, Florilegium Musicum de Paris, directed by Jean-Claude Malgoire (1973): CBS Masterworks 76534. |
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