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Caciando per gustar de quel tesoro; Ai cinti, ai toppi, ai brettiThree-voice caccia by Antonius 'Zacharias' de Teramo SourcesFlorence: Biblioteca Medicea-Laurenziana, Palatino 87 (Squarcialupi Codex), fol. 176v-177 (3/3);Modena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 17v-18 (3/3); Montefiore Dell'Aso: Biblioteca Prof. Francesco Egidi, fol. 1 (Tenor only); Strasbourg: Biblioth�que Municipale (olim Biblioth�que de la Ville) 222 C. 22, fol. 2 (Contrafactum)(lost). Facsimiles1. MARROCCO, W. Thomas. Fourteenth-Century Italian Cacce, Cambridge/Massachusetts: The Medieval Academy of America, 1942, plates IIa,b (MOe5.24).2. Il Codice Squarcialupi edited by F. Alberto GALLO, Lucca: Libreria Musicale Italiana, 1992. Editions1. WOLF, Johannes. 'Florenz in der Musikgeschichte des 14. Jahrhunderts', Sammelb�nde der internationale Musikgesellschaft, III (1901), no. 1.2. MARROCCO, W. Thomas. Fourteenth-Century Italian Cacce, Cambridge/Massachusetts: The Medieval Academy of America, 1942, p. 6 (Fl87). 3. Der Squarcialupi-Codex Pal. 87 der Biblioteca Medicea Laurenziana zu Florenz, edited by Johannes Wolf and H. Albrecht, Lippstadt: Kistner and Siegel, 1955, p. 328. 4. Early Fifteenth Century Music, edited by Gilbert Reaney, [n.p.]: H�nssler-Verlag, American Institute of Musicology, 1977. Corpus Mensurabilis Musicae 11/VI, p. 126. 5. Italian Secular Music, edited by W. Thomas Marrocco, Monaco: Editions de L'Oiseau-Lyre, 1977. Polyphonic Music of the Fourteenth Century X, p. 117. 6. CALDWELL, John. Medieval Music, Bloomington: Indiana University Press, London: Hutchinson, 1978, no. 71. Text Editions1. CORSI, Giuseppe. Rimatori del Trecento, Turin: Unione tipografica editrice torinese, 1969, p. 1100.2. CORSI, Giuseppe. Poesie musicali del Trecento, Bologna: Commissione per i testi di lingua, 1970, p. 312. Literature1. WOLF, Johannes. 'Florenz in der Musikgeschichte des 14. Jahrhunderts', Sammelb�nde der internationale Musikgesellschaft, III (1901), p. 607.2. BONACCORSI, Alfredo. 'Un nuovo codice dell' Ars nova: Il codice Lucchese', Atti della Accademia Nazionale dei Lincei, Ser. 8, I/12 (1948), pp. 566-567. 3. FANO, Fabio. Le origini e il primo maestro di cappella: Matteo da Perugia. Part 1 of La cappella musicale del duomo di Milano (with G. Cesari), Milan: Ricordi, 1956. Instituzioni e monumenti dell'arte musicale italiana, nuov. ser. 1., pp. 35-36. 4. FISCHER, Kurt von. 'Kontrafakturen und Parodien italienischen Werke des Trecento und fr�hen Quattrocento', Annales musicologiques: moyen-�ge et Renaissance, V (1957), p. 45. 5. ELLINWOOD, Leonard. 'The Fourteenth Century in Italy', [chapter 2 of] The New Oxford History of Music. III. Ars Nova and the Renaissance, edited by Dom Anselm Hughes and Gerald Abraham, London: Oxford University Press, 1960, p. 64. 6. FISCHER, Kurt von. 'Neue Quellen zur Musik des 13., 14. und 15. Jahrhunderts', Acta Musicologica, XXXVI (1964), p. 91. 7. FELLIN, Eugene C. A Study of Superius Variants in the Sources of Italian Trecento Music: Madrigals and Cacce, Ph.D. dissertation, University of Wisconsin: 1970, passim. 8. FELLIN, Eugene C. 'The notation-types of Trecento music', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 211-224. 9. BAUMANN, Dorothea. Die dreistimmige italienische Lied-Satztechnik im Trecento, Baden-Baden: Valentin Koerner, 1979. Sammlung musikwissenschaftlicher Abhandlung no. 64, passim. 10. ZIINO, Agostino. 'Magister Antonius dictus Zacharias de Teramo: alcune date e molte ipotesi', Rivista italiana di musicologia, XIV/2 (1979), pp. 335-336. 11. HALLMARK, Anne. 'Some evidence for French influence in northern Italy, c.1400', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: Cambridge University Press, 1983, pp. 193-226. 12. NEWES, Virginia. 'Chace, caccia, fuga: the convergence of French and Italian traditions', Musica Disciplina, XLI (1987), p. 35. RecordingsMusic au temps des Papes en Avignon, Florilegium Musicum de Paris, directed by Jean-Claude Malgoire (1973): CBS Masterworks 76534. |
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