La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical polyphony and secular music of the late middle ages.

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Medieval Music Database

Belle bonne sage
Three-voice rondeau by Baude Cordier

Sources

Chantilly: Biblioth�que du Mus�e Cond� 564, fol. 11v (3/1).

Facsimiles

1. WOLF, Johannes. Musikalische Schrifttafeln, Leipzig: 1923, plate 100.
2. APEL, Willi. The Notation of Polyphonic Music 900-1600, Cambridge/Massachusetts: The Medieval Academy of America, 1942, p. 427.
3. GENNRICH, Friedrich. Abriss der Mensuralnotation des XIV und der ersten H�lfte des XV Jahrhunderts, Nieder-Modau: 1948. Musikwissenschaftliche Studienbibliothek 3-4, p. 52.
4. Die Musik in Geschichte und Gegenwart, edited by Friedrich Blume, 16 vols., Kassel and Basel: B�renreiter, 1949 ff, plate 55.

Editions

1. RIEMANN, Hugo. Handbuch der Musikgeschichte, 5 vols., Leipzig: Breitkopf & H�rtel, 1904-1913, Vol. II, p. 354.
2. Early Fifteenth Century Music, edited by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1955. Corpus Mensurabilis Musicae 11/I, p. 9.
3. Historical Anthology of Music. Vol. I. Oriental, Medieval and Renaissance Music, edited by Archibald T. Davison and Willi Apel, Cambridge/Massachusetts: Harvard University Press, 1966, no. 48b.
4. French Secular Music. Manuscript Chantilly, Mus�e Cond� 564, First Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1981. Polyphonic Music of the Fourteenth Century XVIII, p. 1.

Literature

1. APEL, Willi. The Notation of Polyphonic Music 900-1600, Cambridge/Massachusetts: The Medieval Academy of America, 1942, pp. 425-426, & example 62.
2. REANEY, Gilbert. 'The manuscript Chantilly, Musee Conde, 1047', Musica Disciplina, VIII (1954), p. 68.
3. G�NTHER, Ursula. 'Der Gebrauch des tempus perfectum diminutum in der Handschrift Chantilly 1047', Archiv f�r Musikwissenschaft, XVII (1960), pp. 279-280.
4. REANEY, Gilbert. 'The Middle Ages', [in] A History of Song, edited by Denis Stevens, 2nd edition, New York: W. W. Norton, 1970, p. 52.
5. HOPPIN, Richard H. Medieval Music, New York: W. W. Norton, 1978, p. 485.
6. WILLIAMS, C. 'Two examples of mannerist notation in the late fourteenth century', Miscellanea Musicologica, XI (1980), p. 113.
7. COX, Bobby Wayne. 'Pseudo-augmentation in the manuscript Bologna, Civico Museo Bibliografico Musicale, Q15 (BL)', Journal of Musicology, 1 (1982), p. 437.
8. G�NTHER, Ursula. 'Unusual phenomena in the transmission of late fourteenth-century polyphonic music', Musica Disciplina, XXXVIII (1984), p. 91.
9. WILKINS, Nigel. 'The late mediaeval French lyric: with music and without', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. G�nther and L. Finscher, Kassel: B�renreiter, 1984, pp. 155-174.

Recordings

1. Historical Anthology of Music in Performance. Vol. 1: Late Medieval Music (1300 - 1400), University of Chicago Collegium Musicum, South Illinois Univ, directed by Howard Mayer Brown, Wesley Morgan (1968?): Pleiades P 250.
2. Codex Chantilly: airs de cour, Ensemble Organum, directed by Marcel P�r�s (1987): HMC 901252.
3. The Chantilly Codex, Ensemble Organum, directed by Marcel P�r�s (1987): Harmonia Mundi HMC 1252.
4. Ars Magis Subtiliter, Project Ars Nova (1989): New Albion Records NA 021 CD.

Content Approved by: MMDB Director
Last updated: Wednesday, 19 March 2003

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