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Fuions de ci, fuions, povre compaingneballade by Jacob Senleches SourcesChantilly: Biblioth�que du Mus�e Cond� 564, fol. 17 (3/1);Modena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 15v-16 (3/1); Paris: Biblioth�que Nationale, fonds nouv. acq. fran�ais 6771 (Reina Codex), fol. 61v (3/1). FacsimilesGENNRICH, Friedrich. Abriss der Mensuralnotation des XIV und der ersten H�lfte des XV Jahrhunderts, Nieder-Modau: 1948. Musikwissenschaftliche Studienbibliothek 3-4, p. 42 (CH564).Editions1. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, no. 47 (MOe5.24).2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 170 (CH564). 3. French Secular Music. Manuscript Chantilly, Mus�e Cond� 564, First Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1981. Polyphonic Music of the Fourteenth Century XVIII, p. 28. Literature1. BESSELER, Heinrich. 'Studien zur Musik des Mittelalters. I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts', Archiv f�r Musikwissenschaft, VII (1925): 167-252.2. ANGL�S, Higini. 'El m�sic Jacom� al servei de Joan I i Mart� I durant els anys 1372-1404', Homenatge a Antoni Rubi� i Lluch; Miscellan�a d'estudis literaris, hist�rics i linguistics, Barcelona: 1936, p. 625. 3. PAG�S, Am�d�e. La po�sie fran�aise en Catalogne du XIIIe si�cle � la fin du XIVe, Paris: 1936, p. 59. 4. REANEY, Gilbert. 'The manuscript Chantilly, Musee Conde, 1047', Musica Disciplina, VIII (1954), p. 75. 5. BESSELER, Heinrich. 'Hat Matheus de Perusio Epoche gemacht?', Die Musikforschung, VIII (1955), p. 21. 6. G�NTHER, Ursula. Der musikalische Stilwandel der franz�sischen Liedkunst in der zweiten H�lfte des 14. Jahrhunderts, dargestelt an Virelais, Balladen und Rondeax von Machaut., Ph.D. dissertation, University of Hamburg: 1957, pp. 225, 226-229. 7. G�NTHER, Ursula. 'Die Anwendung der Diminution in der Handschrift Chantilly 1047', Archiv f�r Musikwissenschaft, XVII (1960), p. 7. 8. G�NTHER, Ursula. 'Datierbare Balladen des sp�ten 14. Jahrhunderts. Part 1', Musica Disciplina, XV (1961), pp. 142-145. 9. G�NTHER, Ursula. 'Zur Biographie einiger Komponisten der Ars Subtilior', Archiv f�r Musikwissenschaft, XXI (1964), p. 197., p. 197. 10. WILKINS, Nigel. 'The post-Machaut generation of poet-musicians', Nottingham Medieval Studies, XII (1968), pp. 59-60. 11. GOMEZ, Maria del Carmen. El Ars Nova en la Corona de Arag�n o la M�sica en la Casa Real Catalana-Aragonese Durante los Anos 1336-1432, Barcelona: Antoni Bosch, [1977]. Historia y Documentos I, Musica II. 12. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, p. 33. 13. BERGER, Christian. Hexachord, Mensur und Textstruktur, Stuttgart: Franz Steiner, 1992, p. 35. 14. STROHM, Reinhard. The rise of European music, 1380-1400, Cambridge: Cambridge University Press, 1993, p. 56. Recordings1. Ars Nova S. XIV: Missa de Barcelona, M�sica Profana, Atrium Musicum Madrid, directed by Gregorio Paniagua: Harmonia Mundi HMF 10.033 (FRA).2. Dictionnaire des Instruments Anciens, Clemencic Consort, Ars Musicae, Atrium Musicae, Ensemble Ric: Harmonia Mundi HMU (3) 445. 3. Ce Diabolic Chant: Ballades, Rondeaus & Virelais of the Late 14th Century, The Medieval Ensemble of London, directed by Peter Davies & Timothy Davies (1983): Oiseau-Lyre DSDL 704 (GB). |
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