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Medieval Music Database

Fuions de ci, fuions, povre compaingne

ballade by Jacob Senleches

Sources

Chantilly: Bibliothèque du Musée Condé 564, fol. 17 (3/1);
Modena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 15v-16 (3/1);
Paris: Bibliothèque Nationale, fonds nouv. acq. français 6771 (Reina Codex), fol. 61v (3/1).

Facsimiles

GENNRICH, Friedrich. Abriss der Mensuralnotation des XIV und der ersten Hälfte des XV Jahrhunderts, Nieder-Modau: 1948. Musikwissenschaftliche Studienbibliothek 3-4, p. 42 (CH564).

Editions

1. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, no. 47 (MOe5.24).
2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 170 (CH564).
3. French Secular Music. Manuscript Chantilly, Musée Condé 564, First Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1981. Polyphonic Music of the Fourteenth Century XVIII, p. 28.

Literature

1. BESSELER, Heinrich. 'Studien zur Musik des Mittelalters. I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts', Archiv für Musikwissenschaft, VII (1925): 167-252.
2. ANGLÉS, Higini. 'El músic Jacomí al servei de Joan I i Martí I durant els anys 1372-1404', Homenatge a Antoni Rubió i Lluch; Miscellanía d'estudis literaris, històrics i linguistics, Barcelona: 1936, p. 625.
3. PAGÉS, Amédée. La poésie française en Catalogne du XIIIe siècle à la fin du XIVe, Paris: 1936, p. 59.
4. REANEY, Gilbert. 'The manuscript Chantilly, Musee Conde, 1047', Musica Disciplina, VIII (1954), p. 75.
5. BESSELER, Heinrich. 'Hat Matheus de Perusio Epoche gemacht?', Die Musikforschung, VIII (1955), p. 21.
6. GÜNTHER, Ursula. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestelt an Virelais, Balladen und Rondeax von Machaut., Ph.D. dissertation, University of Hamburg: 1957, pp. 225, 226-229.
7. GÜNTHER, Ursula. 'Die Anwendung der Diminution in der Handschrift Chantilly 1047', Archiv für Musikwissenschaft, XVII (1960), p. 7.
8. GÜNTHER, Ursula. 'Datierbare Balladen des späten 14. Jahrhunderts. Part 1', Musica Disciplina, XV (1961), pp. 142-145.
9. GÜNTHER, Ursula. 'Zur Biographie einiger Komponisten der Ars Subtilior', Archiv für Musikwissenschaft, XXI (1964), p. 197., p. 197.
10. WILKINS, Nigel. 'The post-Machaut generation of poet-musicians', Nottingham Medieval Studies, XII (1968), pp. 59-60.
11. GOMEZ, Maria del Carmen. El Ars Nova en la Corona de Aragón o la Música en la Casa Real Catalana-Aragonese Durante los Anos 1336-1432, Barcelona: Antoni Bosch, [1977]. Historia y Documentos I, Musica II.
12. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, p. 33.
13. BERGER, Christian. Hexachord, Mensur und Textstruktur, Stuttgart: Franz Steiner, 1992, p. 35.
14. STROHM, Reinhard. The rise of European music, 1380-1400, Cambridge: Cambridge University Press, 1993, p. 56.

Recordings

1. Ars Nova S. XIV: Missa de Barcelona, Mùsica Profana, Atrium Musicum Madrid, directed by Gregorio Paniagua: Harmonia Mundi HMF 10.033 (FRA).
2. Dictionnaire des Instruments Anciens, Clemencic Consort, Ars Musicae, Atrium Musicae, Ensemble Ric: Harmonia Mundi HMU (3) 445.
3. Ce Diabolic Chant: Ballades, Rondeaus & Virelais of the Late 14th Century, The Medieval Ensemble of London, directed by Peter Davies & Timothy Davies (1983): Oiseau-Lyre DSDL 704 (GB).


Content Approved by: MMDB Director
Last updated: Wednesday, 19 March 2003


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