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En ce gracieux tamps jolivirelai by Jacob Senleches SourcesModena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 26v (3/1);Padua: Biblioteca Universitaria 1115, number B (3/1); Paris: Bibliothèque Nationale, fonds nouv. acq. français 6771 (Reina Codex), fol. 58v (3/1); Strasbourg: Bibliothèque Municipale (olim Bibliothèque de la Ville) 222 C. 22, fol. 51 (lost). FacsimilesDie Musik in Geschichte und Gegenwart, edited by Friedrich Blume, 16 vols., Kassel and Basel: Bärenreiter, 1949 ff, plate 68 (MOe5.24).Editions1. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, no. 50 (Pn6771).2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 174 (Pn6771). 3. French Secular Music. Virelais, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1987. Polyphonic Music of the Fourteenth Century XXI, p. 9 (MOe5.24). Literature1. BORREN, Charles van den. Le manuscrit musical 222 C. 22 de la bibliothèque de Strasbourg (XVe siècle) brulé en 1870, et reconstitué d'après une copie d'Edmond de Coussemaker, Antwerp: E. Secelle, 1924, pp. 100-101.2. BESSELER, Heinrich. 'Studien zur Musik des Mittelalters. I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts', Archiv für Musikwissenschaft, VII (1925): 167-252. 3. NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59. 4. HALLMARK, Anne. 'Some evidence for French influence in northern Italy, c.1400', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: Cambridge University Press, 1983, pp. 193-226. 5. LECLERCQ, F. 'Questions à propos d'un fragment récemment découvert d'une chanson du XIV siècle: une autre version de "Par maintes fois"' Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter, 1984, p. 202. 6. NEWES, Virginia E. 'The relationship of text to imitative technique in 14th century polyphony', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 121-154. Recordings1. Ars Nova S. XIV: Missa de Barcelona, Mùsica Profana, Atrium Musicum Madrid, directed by Gregorio Paniagua: Harmonia Mundi HMF 10.033 (FRA).2. Dictionnaire des Instruments Anciens, Clemencic Consort, Ars Musicae, Atrium Musicae, Ensemble Ric: Harmonia Mundi HMU (3) 445. 3. The Ars Nova: Vocal Music of 14-Century France and Italy, Capella Cordina, directed by Alejandro Planchart (1966): Expériences Anonymes EA/EAS 83. 4. Denkmäler Alter Musik aus dem Codex Reina (14./15. Jh.), members of Syntagma Musicum, directed by Kees Otten (1979): Telefunken AW6 42357. 5. Ce Diabolic Chant: Ballades, Rondeaus & Virelais of the Late 14th Century, The Medieval Ensemble of London, directed by Peter Davies & Timothy Davies (1983): Oiseau-Lyre DSDL 704 (GB). 6. The Medieval Romantics, Gothic Voices, directed by Christopher Page (1991): CDA66463. 7. Machaut and his time, Alba Musica Kyo (1994): Channel Classics CCS 7094. |
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