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En ce gracieux tamps jolivirelai by Jacob Senleches SourcesModena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 26v (3/1);Padua: Biblioteca Universitaria 1115, number B (3/1); Paris: Biblioth�que Nationale, fonds nouv. acq. fran�ais 6771 (Reina Codex), fol. 58v (3/1); Strasbourg: Biblioth�que Municipale (olim Biblioth�que de la Ville) 222 C. 22, fol. 51 (lost). FacsimilesDie Musik in Geschichte und Gegenwart, edited by Friedrich Blume, 16 vols., Kassel and Basel: B�renreiter, 1949 ff, plate 68 (MOe5.24).Editions1. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, no. 50 (Pn6771).2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 174 (Pn6771). 3. French Secular Music. Virelais, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1987. Polyphonic Music of the Fourteenth Century XXI, p. 9 (MOe5.24). Literature1. BORREN, Charles van den. Le manuscrit musical 222 C. 22 de la biblioth�que de Strasbourg (XVe si�cle) brul� en 1870, et reconstitu� d'apr�s une copie d'Edmond de Coussemaker, Antwerp: E. Secelle, 1924, pp. 100-101.2. BESSELER, Heinrich. 'Studien zur Musik des Mittelalters. I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts', Archiv f�r Musikwissenschaft, VII (1925): 167-252. 3. NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59. 4. HALLMARK, Anne. 'Some evidence for French influence in northern Italy, c.1400', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: Cambridge University Press, 1983, pp. 193-226. 5. LECLERCQ, F. 'Questions � propos d'un fragment r�cemment d�couvert d'une chanson du XIV si�cle: une autre version de "Par maintes fois"' Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: B�renreiter, 1984, p. 202. 6. NEWES, Virginia E. 'The relationship of text to imitative technique in 14th century polyphony', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. G�nther and L. Finscher, Kassel: B�renreiter, 1984, pp. 121-154. Recordings1. Ars Nova S. XIV: Missa de Barcelona, M�sica Profana, Atrium Musicum Madrid, directed by Gregorio Paniagua: Harmonia Mundi HMF 10.033 (FRA).2. Dictionnaire des Instruments Anciens, Clemencic Consort, Ars Musicae, Atrium Musicae, Ensemble Ric: Harmonia Mundi HMU (3) 445. 3. The Ars Nova: Vocal Music of 14-Century France and Italy, Capella Cordina, directed by Alejandro Planchart (1966): Exp�riences Anonymes EA/EAS 83. 4. Denkm�ler Alter Musik aus dem Codex Reina (14./15. Jh.), members of Syntagma Musicum, directed by Kees Otten (1979): Telefunken AW6 42357. 5. Ce Diabolic Chant: Ballades, Rondeaus & Virelais of the Late 14th Century, The Medieval Ensemble of London, directed by Peter Davies & Timothy Davies (1983): Oiseau-Lyre DSDL 704 (GB). 6. The Medieval Romantics, Gothic Voices, directed by Christopher Page (1991): CDA66463. 7. Machaut and his time, Alba Musica Kyo (1994): Channel Classics CCS 7094. |
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