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En remirant vo douce pourtraiture (Philippot de Caserta)En remirant vo douce pourtraiture (Philippot de Caserta) SourcesChantilly: Biblioth�que du Mus�e Cond� 564, fol. 39 (3/1);Modena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 35v-36 (3/1); Paris: Biblioth�que Nationale, fonds nouv. acq. fran�ais 6771 (Reina Codex), fol. 80v (3/1). Facsimiles1. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, plate 3 (MOe5.24).2. PHILLIPS, Elizabeth V. and John-Paul Christopher JACKSON. Performing Medieval and Renaissance Music: an Introductory Guide, Schirmer Books:New York, 1986, p. 30 (MOe5.24). Editions1. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, no. 59 (MOe5.24).2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 148 (CH564, MOe5.24, Pn6771). 3. French Secular Music. Manuscript Chantilly, Mus�e Cond� 564, Second Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XIX, p. 21. 4. PHILLIPS, Elizabeth V. and John-Paul Christopher JACKSON. Performing Medieval and Renaissance Music: an Introductory Guide, Schirmer Books:New York, 1986, p. 123 [R Apel 1950]. Literature1. PIRROTTA, Nino. '"Dulcedo e subtilitas" nella pratica polifonica franco-italiana al principio del '400', Revue belge de musicologie, II/3-4 (1948), p. 130.2. BESSELER, Heinrich. 'Hat Matheus de Perusio Epoche gemacht?', Die Musikforschung, VIII (1955), p. 21. 3. G�NTHER, Ursula. 'Die Anwendung der Diminution in der Handschrift Chantilly 1047', Archiv f�r Musikwissenschaft, XVII (1960), pp. 7-8. 4. HOPPIN, Richard H. Review of Suzanne Clercx: Johannes Ciconia, Musical Quarterly, XLVII (1961), p. 417. 5. G�NTHER, Ursula. 'Zitate in franz�sischen Lieds�tzen der Ars nova und Ars subtilior', Musica Disciplina, XXVI (1972), pp. 62, 65. 6. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, pp. 31, 33. 7. WILKINS, Nigel. 'Ballade (i)', The New Grove, II (1980): 76-78. 8. PHILLIPS, Elizabeth V. and John-Paul Christopher JACKSON. Performing Medieval and Renaissance Music: an Introductory Guide, Schirmer Books:New York, 1986, pp. 122-127. 9. BERGER, Christian. Hexachord, Mensur und Textstruktur, Stuttgart: Franz Steiner, 1992, p. 78. |
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