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En atendant souffrir m'estuet grief payneballade by Philippot de Caserta SourcesChantilly: Biblioth�que du Mus�e Cond� 564, fol. 33v (3/1);Grottaferrata: Badia Greca, Biblioteca, collocazione provisoria 197, fol. 3v (Contratenor fragment only); Modena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 21 (3/1); Paris: Biblioth�que Nationale, fonds nouv. acq. fran�ais 6771 (Reina Codex), fol. 84v (3/1); Santa Barbara: Academia Monteverdiana. FacsimilesFrench Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, plate VII (Pn6771).Editions1. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, no. 56.2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 56 (CH564, MOe5.24, Pn6771). 3. French Secular Music. Manuscript Chantilly, Mus�e Cond� 564, First Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1981. Polyphonic Music of the Fourteenth Century XVIII, p. 125. Literature1. PIRROTTA, Nino. '"Dulcedo e subtilitas" nella pratica polifonica franco-italiana al principio del '400', Revue belge de musicologie, II/3-4 (1948), p. 130.2. HOPPIN, Richard H. Review of Suzanne Clercx: Johannes Ciconia, Musical Quarterly, XLVII (1961), p. 417. 3. G�NTHER, Ursula. 'Zur Datierung des Manuskripts Modena, Biblioteca Estense, a M.5,24 (olim lat. 568), Bericht �ber den Internationalen Musikwissenschaftlichen Kongress Leipzig, 1966, Kassel and Basel, B�renreiter, 1970, p. 177., p. 177. 4. G�NTHER, Ursula. 'Zitate in franz�sischen Lieds�tzen der Ars nova und Ars subtilior', Musica Disciplina, XXVI (1972), pp. 62, 64, 65. 5. G�NTHER, Ursula. 'Problems of dating in Ars nova and Ars subtilior', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, p. 294. |
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