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Medieval Music Database

De ce que foul pensT souvent remaynt
ballade by P. des Molins

Sources

Cambrai: Bibliothèque Municipale B. 1328 (1176), f. 16, fol. 16 (#23) (4/1); Bibliothèque Municipale B. 1328 (1176), ff.17-18, fol. 18v (#15) (4/1) (different Triplum);
Chantilly: Bibliothèque du Musée Condé 564, fol. 53v (3/1);
Florence: Biblioteca Nazionale Centrale, Panciatichiano 26, fol. 86v-87 (3/1);
Gent: Rijksarchief, Varia D.3360 (Abbey Ter Haeghen), fol. 3v (3/1);
London: British Library, Additional 41667(I) (McVeigh fragment), fol. 26 (3/1);
Munich: Bayerische Staatsbibliothek, Handschriften-Inkunabelabteilung, Latinus monacensis 15611, fol. 229v-230 (3/1) (Contrafactum);
Paris: Musée des Arts, wallhanging; Bibliothèque Nationale, fonds italien 568, fol. 124 (3/1); Bibliothèque Nationale, fonds nouv. acq. français 6771 (Reina Codex), fol. 71v (4/1); Bibliothèque Nationale, fonds nouv. acq. français 23190 (olim Serrant Château, ducs de la Trémoïlle), fol. 12v-13 (lost);
Strasbourg: Bibliothèque Municipale (olim Bibliothèque de la Ville) 222 C. 22, fol. 36v (Contrafactum)(lost).

Facsimiles

1. BORREN, Charles van den. 'Le "fragment de Gand"', Festschrift für Johannes Wolf zu seinem 60. Geburtstag, Berlin: 1929, [after F~etis].
2. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, p. 30., p. 29.
3. Il codice musicale Panciatichi 26 della Biblioteca Nazionale di Firenze, facsimile edition by F. Alberto Gallo, Florence: Leo S. Olschki Editore, 1981, no. 156 (FP).

Editions

1. WOLF, Johannes. Handbuch der Notationskunde, 2 vols., Leipzig: Breitkopf & Härtel, 1913, 1919. [reprinted Hildesheim: Georg Olms, 1963], Vol. I, p. 354 (Pn6771, Lbl41667).
2. DROZ, Eugénie & Geneviève THIBAULT. Poètes et musiciens du 15e siècle, Paris: 1924, p. 21 (CH564).
3. BORREN, Charles van den. 'Le "fragment de Gand"', Festschrift für Johannes Wolf zu seinem 60. Geburtstag, Berlin: 1929, pp. 198-206.
4. A Fourteenth-Century Repertory from the Codex Reina, edited by Nigel Wilkins, [n.p.]: American Institute of Musicology, 1966. Corpus Mensurabilis Musicae 36, p. 32 (Pn6771).
5. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols., Ph.D. dissertation, University of California (Berkeley), Vol. II, p. 92.
6. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 159.
7. Keyboard Music of the Late Middle Ages in the Codex Faenza 117, edited by D. Plamenac, [n.p.]: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 57, p. 22.
8. French Secular Music. Manuscript Chantilly, Musée Condé 564, Second Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XIX, p. 123 (CH564, with Pn6771 Triplum.
Literature
1. FÉTIS, F.-J. Esquisse de l'Histoire de l'harmonie considérée comme art et comme science systématique, Paris: 1840.
2. COUSSEMAKER, Edmond de. Notice sur les collections musicales de la Bibliothèque de Cambrai et des autres villes du Département du Nord, Paris: Techener, 1843.
3. BORREN, Charles van den. Le manuscrit musical 222 C. 22 de la bibliothèque de Strasbourg (XVe siècle) brulé en 1870, et reconstitué d'après une copie d'Edmond de Coussemaker, Antwerp: E. Secelle, 1924, pp. 83-85, 194., pp. 83-85, 194.
4. BORREN, Charles van den. 'Le "fragment de Gand"', Festschrift für Johannes Wolf zu seinem 60. Geburtstag, Berlin: 1929, pp. 198-206.
5. REANEY, Gilbert. 'Voices and instruments in the music of Guillaume de Machaut', Revue belge de musicologie, X (1956), p. 93.
6. GÜNTHER, Ursula. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestelt an Virelais, Balladen und Rondeax von Machaut., Ph.D. dissertation, University of Hamburg: 1957, pp. 167, 181-184.
7. GÜNTHER, Ursula. 'Die Musiker des Herzogs von Berry', Musica Disciplina, XVII (1963), pp. 84-85.
8. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols., Ph.D. dissertation, University of California (Berkeley), pp. 211, 213.
9. NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59.
10. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, pp. 28-30.
11. SEEBASS, Tilman. 'The visualisation of music through pictorial imagery and notation in late mediaeval France', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: C.U.P., 1983, pp. 23, 27.
12. STROHM, Reinhard. 'The Ars nova fragments of Gent', Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, XXXIV (1984), p. 116.
13. BERGER, Christian. Hexachord, Mensur und Textstruktur, Stuttgart: Franz Steiner, 1992, pp. 73, 201.
Recordings
1. The "Canon" in the Fourteenth Century: Chace and Caccia, H. Guermant (S), F. Mertens (A), F. Anspach (T), E. Jacquier, directed by Safford Cape (1937): Anthologie Sonore AS 59.
2. The Service of Venus and Mars: Music for the Knights of the Garter, 1340-1440, Gothic Voices, directed by Christopher Page (1986): Hyperion A66238.
3. Ars Magis Subtiliter, Project Ars Nova (1989): New Albion Records NA 021 CD.

Content Approved by: MMDB Director
Last updated: Wednesday, 19 March 2003

Cantus

CAO-ECE

Cantus Planus

Vulgate

DIAMM

TML

Latin Dictionary