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HT, tres doulz roussignol joly; Roussignolet du bois, dounTsvirelai by Borlet SourcesChantilly: Biblioth�que du Mus�e Cond� 564, fol. 54v (4/1);Grottaferrata: Biblioteca dell' Abbazia E. B.XVI (olim 374), fol. 1v-2 (4/3) (fragment, same Contratenor only); Strasbourg: Biblioth�que Municipale (olim Biblioth�que de la Ville) 222 C. 22, fol. 37 (lost). Editions1. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, no. 67.2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 19. 3. French Secular Music. Manuscript Chantilly, Mus�e Cond� 564, Second Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XIX, p. 132. Literature1. BORREN, Charles van den. Le manuscrit musical 222 C. 22 de la biblioth�que de Strasbourg (XVe si�cle) brul� en 1870, et reconstitu� d'apr�s une copie d'Edmond de Coussemaker, Antwerp: E. Secelle, 1924, pp. 85-86.2. BESSELER, Heinrich. 'Studien zur Musik des Mittelalters. I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts', Archiv f�r Musikwissenschaft, VII (1925): 167-252. 3. REANEY, Gilbert. 'The manuscript Chantilly, Musee Conde, 1047', Musica Disciplina, VIII (1954), p. 67. 4. G�NTHER, Ursula. 'Der Gebrauch des tempus perfectum diminutum in der Handschrift Chantilly 1047', Archiv f�r Musikwissenschaft, XVII (1960), pp. 289-290. 5. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols., Ph.D. dissertation, University of California (Berkeley), p. 213. 6. NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59. 7. COX, Bobby Wayne. 'Pseudo-augmentation in the manuscript Bologna, Civico Museo Bibliografico Musicale, Q15 (BL)', Journal of Musicology, 1 (1982), p. 440. 8. LECLERCQ, F. 'Questions � propos d'un fragment r�cemment d�couvert d'une chanson du XIV si�cle: une autre version de "Par maintes fois"' Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: B�renreiter, 1984, p. 201. 9. NEWES, Virginia E. 'The relationship of text to imitative technique in 14th century polyphony', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. G�nther and L. Finscher, Kassel: B�renreiter, 1984, pp. 121-154. 10. BERGER, Christian. Hexachord, Mensur und Textstruktur, Stuttgart: Franz Steiner, 1992, p. 233. Recordings1. Ars Nova S. XIV: Missa de Barcelona, M�sica Profana, Atrium Musicum Madrid, directed by Gregorio Paniagua: Harmonia Mundi HMF 10.033 (FRA).2. Dictionnaire des Instruments Anciens, Clemencic Consort, Ars Musicae, Atrium Musicae, Ensemble Ric: Harmonia Mundi HMU (3) 445. 3. Early Music in Italy, France and Burgundy, Early Music Studio, directed by Thomas Binkley (1965): Telefunken 6.41068 AS (SAWT 9466). 4. En Retrouvant le Moyen Age, Ensemble Polyphonique de Paris, directed by Charles Ravier (1971): Bo�te a Musique BAM LD 5100. 5. The Late 14th Century Avant Garde, Early Music Consort of London, directed by David Munrow (1973): EMI/HMV ASD 3621 (GB). |
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