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[Deduto sey a quel che may]anonymous intabulation after a vocal original by Johannes Ciconia SourcesFaenza: Biblioteca Comunale 117 (Faenza Codex), fol. 46v-48 (2/0).Facsimiles1. CARAPETYAN, Armen. 'The Codex Faenza, Biblioteca Comunale 117 (Fa), pp. 69-72.2. An Early Fifteenth-Century Italian Source of Keyboard Music: The Codex Faenza, Biblioteca Comunale, 117, facsimile edition by Armen Carapetyan, [n.p.]: American Institute of Musicology, 1961. Musicological Studies and Documents 10, pp. 37-40. 3. PLAMENAC, D. 'Faventina', Liber Amicorum Charles van den Borren, edited by Albert Vander Linden, Antwerp: Lloyd Anversois, 1964, p. 152. Editions1. PLAMENAC, D. 'Faventina', Liber Amicorum Charles van den Borren, edited by Albert Vander Linden, Antwerp: Lloyd Anversois, 1964, p. 157.2. Keyboard Music of the Late Middle Ages in the Codex Faenza 117, edited by D. Plamenac, [n.p.]: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 57, p. 36. Literature1. PLAMENAC, D. 'Faventina', Liber Amicorum Charles van den Borren, edited by Albert Vander Linden, Antwerp: Lloyd Anversois, 1964, pp. 146-148.2. REANEY, Gilbert. 'Transposition and "key" signatures in late medieval music', Musica Disciplina, XXXIV (1979), p. 34. RecordingsCodex Faenza. Italie XVe siècle, Marcel Pérès, Ensemble Organum (1991): Harmonia Mundi HMC 901354. |
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