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Sus un' fontayne en remirantvirelai by Johannes Ciconia SourcesModena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 27v-28 (3/1);Oxford: Bodleian Library, MS Canonici Latin Patristic [Scriptores Ecclesiastici] 229, number 11 (3/1). FacsimilesHALLMARK, Anne. 'Some evidence for French influence in northern Italy, c.1400', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: Cambridge University Press, 1983, plate 2 (MOe5.24)., plate 1 (Ob229).Editions1. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, no. 66.2. CLERCX, Suzanne. Johannes Ciconia: Un musicien li�gois et son temps, 2 vols., Brussels: Palais des Acad�mies, 1960, p. 78. 3. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 25 (MOe5.24, Ob229). 4. Medieval Music, edited by W. Thomas Marrocco and Nicholas Sandon, London: Oxford University Press, 1977, no. 73. 5. NEMETH, George L. The Secular Music of Johannes Ciconia, Ph.D. dissertation, Stanford University: 1977, p. 232 (MOe5.24). 6. The Works of Johannes Ciconia, edited by Margaret Bent and Anne Hallmark, Monaco: Editions de L'Oiseau-Lyre, 1985. Polyphonic Music of the Fourteenth Century XXIV, p. 170. 7. FULLER, Sarah. The European Musical Heritage 800-1750, New York: Alfred A. Knopf, 1987. Literature1. KORTE, W. 'Contributi alla storia della musica in Italia, I: La musica nelle citt� dell'Italia settentrionale dal 1400 al 1425', Rivista musicale italiana, XXXIX (1932), p. 515.2. KORTE, W. Studien zur Geschichte der Musik in Italien im ersten Viertel des 15. Jahrhunderts, Kassel: B�renreiter, 1933. M�nsterische Beitr�ge zur Musikwissenschaft VI, p. 66. 3. CLERCX, Suzanne. 'Johannes Ciconia et la chronologie des manuscrits italiens, Mod. 568 et Lucca (Mn)', Les Colloques de W�gimont II, 1955, Paris: Soci�t� d'Edition "Les belles lettres", 1959, p. 114. 4. FISCHER, Kurt von. 'Zur Ciconia-Forschung', Die Musikforschung, XIV (1961), p. 321. 5. G�NTHER, Ursula. 'Zur Datierung des Manuskripts Modena, Biblioteca Estense, a M.5,24 (olim lat. 568), Bericht �ber den Internationalen Musikwissenschaftlichen Kongress Leipzig, 1966, Kassel and Basel, B�renreiter, 1970, pp. 176-177., pp. 176-177., pp. 176-177., pp. 6. WILKINS, Nigel. 'The post-Machaut generation of poet-musicians', Nottingham Medieval Studies, XII (1968), p. 78. 7. G�NTHER, Ursula. 'Zitate in franz�sischen Lieds�tzen der Ars nova und Ars subtilior', Musica Disciplina, XXVI (1972), pp. 62-68. 8. FALLOWS, David. 'Ciconia padre e figlio', Rivista italiana di musicologia, XI (1976), pp. 175-176. 9. NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59. 10. G�NTHER, Ursula. 'Problems of dating in Ars nova and Ars subtilior', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 291-292, 293. 11. G�NTHER, Ursula. 'Fourteenth-century music with texts revealing performance practice', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: Cambridge University Press, 1983, pp. 264-266. 12. G�NTHER, Ursula. 'Sinnbez�ge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. G�nther and L. Finscher, Kassel: B�renreiter, 1984, p. 266. 13. NEWES, Virginia E. 'The relationship of text to imitative technique in 14th century polyphony', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. G�nther and L. Finscher, Kassel: B�renreiter, 1984, pp. 121-154. Recordings1. Johannes Ciconia (1335 - 1411), Early Music Studio, directed by Thomas Binkley (1972): EMI-Reflexe 1C063-30-102 (GER).2. Johannes Ciconia, Las Huelgas Ensemble, directed by Paul van Nevel (1980): Musique en Wallonie 80040-44 (set). |
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