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Sus un' fontayne en remirantvirelai by Johannes Ciconia SourcesModena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 27v-28 (3/1);Oxford: Bodleian Library, MS Canonici Latin Patristic [Scriptores Ecclesiastici] 229, number 11 (3/1). FacsimilesHALLMARK, Anne. 'Some evidence for French influence in northern Italy, c.1400', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: Cambridge University Press, 1983, plate 2 (MOe5.24)., plate 1 (Ob229).Editions1. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, no. 66.2. CLERCX, Suzanne. Johannes Ciconia: Un musicien liégois et son temps, 2 vols., Brussels: Palais des Académies, 1960, p. 78. 3. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 25 (MOe5.24, Ob229). 4. Medieval Music, edited by W. Thomas Marrocco and Nicholas Sandon, London: Oxford University Press, 1977, no. 73. 5. NEMETH, George L. The Secular Music of Johannes Ciconia, Ph.D. dissertation, Stanford University: 1977, p. 232 (MOe5.24). 6. The Works of Johannes Ciconia, edited by Margaret Bent and Anne Hallmark, Monaco: Editions de L'Oiseau-Lyre, 1985. Polyphonic Music of the Fourteenth Century XXIV, p. 170. 7. FULLER, Sarah. The European Musical Heritage 800-1750, New York: Alfred A. Knopf, 1987. Literature1. KORTE, W. 'Contributi alla storia della musica in Italia, I: La musica nelle città dell'Italia settentrionale dal 1400 al 1425', Rivista musicale italiana, XXXIX (1932), p. 515.2. KORTE, W. Studien zur Geschichte der Musik in Italien im ersten Viertel des 15. Jahrhunderts, Kassel: Bärenreiter, 1933. Münsterische Beiträge zur Musikwissenschaft VI, p. 66. 3. CLERCX, Suzanne. 'Johannes Ciconia et la chronologie des manuscrits italiens, Mod. 568 et Lucca (Mn)', Les Colloques de Wégimont II, 1955, Paris: Société d'Edition "Les belles lettres", 1959, p. 114. 4. FISCHER, Kurt von. 'Zur Ciconia-Forschung', Die Musikforschung, XIV (1961), p. 321. 5. GÜNTHER, Ursula. 'Zur Datierung des Manuskripts Modena, Biblioteca Estense, a M.5,24 (olim lat. 568), Bericht über den Internationalen Musikwissenschaftlichen Kongress Leipzig, 1966, Kassel and Basel, Bärenreiter, 1970, pp. 176-177., pp. 176-177., pp. 176-177., pp. 6. WILKINS, Nigel. 'The post-Machaut generation of poet-musicians', Nottingham Medieval Studies, XII (1968), p. 78. 7. GÜNTHER, Ursula. 'Zitate in französischen Liedsätzen der Ars nova und Ars subtilior', Musica Disciplina, XXVI (1972), pp. 62-68. 8. FALLOWS, David. 'Ciconia padre e figlio', Rivista italiana di musicologia, XI (1976), pp. 175-176. 9. NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59. 10. GÜNTHER, Ursula. 'Problems of dating in Ars nova and Ars subtilior', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 291-292, 293. 11. GÜNTHER, Ursula. 'Fourteenth-century music with texts revealing performance practice', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: Cambridge University Press, 1983, pp. 264-266. 12. GÜNTHER, Ursula. 'Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, p. 266. 13. NEWES, Virginia E. 'The relationship of text to imitative technique in 14th century polyphony', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 121-154. Recordings1. Johannes Ciconia (1335 - 1411), Early Music Studio, directed by Thomas Binkley (1972): EMI-Reflexe 1C063-30-102 (GER).2. Johannes Ciconia, Las Huelgas Ensemble, directed by Paul van Nevel (1980): Musique en Wallonie 80040-44 (set). |
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