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Una panthera in conpagnia de Martemadrigal by Johannes Ciconia SourcesLucca: Archivio di Stato 184 (Mancini Codex), fol. 82v-83v (3/3).FacsimilesThe Lucca Codex. Codice Mancini. Introductory Study and Facsimile Edition, edited by John Nádas and Agostino Ziino, Lucca: Libreria musicale italiana editrice, 1990.Editions1. GHISI, Federico. 'Italian Ars nova music, the Perugia and Pistoia fragments of the Lucca Codex, and other unpublished early fifteenth century sources', Musica Disciplina, I/3 (1946), p. 6.2. BUKOFZER, Manfred. 'Two mensural canons', Musica Disciplina, II (1948), p. 170. 3. CLERCX, Suzanne. Johannes Ciconia: Un musicien liégois et son temps, 2 vols., Brussels: Palais des Académies, 1960, Vol. II, p. 52. 4. NEMETH, George L. The Secular Music of Johannes Ciconia, Ph.D. dissertation, Stanford University: 1977, p. 188. 5. WILLIAMS, Carol J. The Mancini Codex: A Manuscript Study, Ph.D. dissertation (University of Adelaide), 3 vols., 1983, Vol. II, p. 110. 6. The Works of Johannes Ciconia, edited by Margaret Bent and Anne Hallmark, Monaco: Editions de L'Oiseau-Lyre, 1985. Polyphonic Music of the Fourteenth Century XXIV, p. 126. Literature1. MANCINI, Augusto. 'Frammenti di un nuovo codice dell' Ars nova', Rendiconti dell' Accademia Nazionale dei Lincei, ser. 8, II (1947), pp. 86-87.2. BUKOFZER, Manfred. 'Two mensural canons', Musica Disciplina, II (1948), p. 170. 3. BONACCORSI, Alfredo. 'Un nuovo codice dell' Ars nova: Il codice Lucchese', Atti della Accademia Nazionale dei Lincei, Ser. 8, I/12 (1948), pp. 587-588. 4. PIRROTTA, Nino and Ettore LI GOTTI. 'Il codice di Lucca. I. Descrizione e inventario', Musica Disciplina, III (1949), p. 124. 5. PIRROTTA, Nino and Ettore LI GOTTI. 'Il Codice di Lucca. III. Il repertorio musicale', Musica Disciplina, V (1951), pp. 124-125. 6. CLERCX, Suzanne. 'Johannes Ciconia et la chronologie des manuscrits italiens, Mod. 568 et Lucca (Mn)', Les Colloques de Wégimont II, 1955, Paris: Société d'Edition "Les belles lettres", 1959, p. 114. 7. ELDERS, W. 'Humanism and early Renaissance music: a study of the ceremonial music by Ciconia and Dufay', Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, XXVII (1977), p. 76. 8. BAUMANN, Dorothea. Die dreistimmige italienische Lied-Satztechnik im Trecento, Baden-Baden: Valentin Koerner, 1979. Sammlung musikwissenschaftlicher Abhandlung no. 64, passim. 9. GÜNTHER, Ursula. 'Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 229-268. 10. YUDKIN, Jeremy. Music in Medieval Europe, Englewood Cliffs, New Jersey: Prentice Hall, 1989, pp. 581-589. Recordings1. Musiques Héraldiques, Vocal ensemble, Groupe des Instruments Anciens of Paris, directed by Roger Cotte: Pathé CPTC 2035.2. The Italian Madrigal: Ars Nova and the 16th Century, Vassar Madrigal Singers, directed by Geer: Allegro ALG 3029. 3. Johannes Ciconia (1335 - 1411), Early Music Studio, directed by Thomas Binkley (1972): EMI-Reflexe 1C063-30-102 (GER). 4. Johannes Ciconia. Madrigaux et Ballades, Clemencic Consort, directed by Rene Clemencic (1980): Harmonia Mundi HM 10068. 5. Johannes Ciconia, Las Huelgas Ensemble, directed by Paul van Nevel (1980): Musique en Wallonie 80040-44 (set). |
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