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Poy che morir mi convien per to amoreattributed to Johannes Ciconia SourcesLucca: Archivio di Stato 184 (Mancini Codex), fol. 85v (2/2).FacsimilesThe Lucca Codex. Codice Mancini. Introductory Study and Facsimile Edition, edited by John Nádas and Agostino Ziino, Lucca: Libreria musicale italiana editrice, 1990.Editions1. CLERCX, Suzanne. Johannes Ciconia: Un musicien liégois et son temps, 2 vols., Brussels: Palais des Académies, 1960, Vol. II, p. 58.2. NEMETH, George L. The Secular Music of Johannes Ciconia, Ph.D. dissertation, Stanford University: 1977, p. 195. 3. WILLIAMS, Carol J. The Mancini Codex: A Manuscript Study, Ph.D. dissertation (University of Adelaide), 3 vols., 1983, Vol. II, p. 124. 4. The Works of Johannes Ciconia, edited by Margaret Bent and Anne Hallmark, Monaco: Editions de L'Oiseau-Lyre, 1985. Polyphonic Music of the Fourteenth Century XXIV, p. 158. Literature1. BONACCORSI, Alfredo. 'Un nuovo codice dell' Ars nova: Il codice Lucchese', Atti della Accademia Nazionale dei Lincei, Ser. 8, I/12 (1948), p. 588.2. PIRROTTA, Nino and Ettore LI GOTTI. 'Il Codice di Lucca. III. Il repertorio musicale', Musica Disciplina, V (1951), p. 129. 3. PIRROTTA, Nino. 'New glimpses of an unwritten tradition', Words and Music: The Scholar's View, edited by Laurence Berman, Cambridge: Harvard University, 1972, p. 68. Recordings1. Johannes Ciconia. Madrigaux et Ballades, Clemencic Consort, directed by Rene Clemencic (1980): Harmonia Mundi HM 10068.2. Johannes Ciconia, Las Huelgas Ensemble, directed by Paul van Nevel (1980): Musique en Wallonie 80040-44 (set). |
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