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L[e] ray au soleyl qui dret som karmeyneattributed to Johannes Ciconia SourcesLucca: Archivio di Stato 184 (Mancini Codex), fol. 83 (3/2c).FacsimilesThe Lucca Codex. Codice Mancini. Introductory Study and Facsimile Edition, edited by John Nádas and Agostino Ziino, Lucca: Libreria musicale italiana editrice, 1990.Editions1. GHISI, Federico. 'Italian Ars nova music, the Perugia and Pistoia fragments of the Lucca Codex, and other unpublished early fifteenth century sources', Musica Disciplina, I/3 (1946), p. 9.2. BUKOFZER, Manfred. 'Two mensural canons', Musica Disciplina, II (1948), p. 169. 3. CLERCX, Suzanne. Johannes Ciconia: Un musicien liégois et son temps, 2 vols., Brussels: Palais des Académies, 1960, Vol. II, p. 91. 4. HOPPIN, Richard H. Review of Suzanne Clercx: Johannes Ciconia, Musical Quarterly, XLVII (1961), p. 419. 5. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 53/III, p. 155. 6. WILLIAMS, Carol J. The Mancini Codex: A Manuscript Study, Ph.D. dissertation (University of Adelaide), 3 vols., 1983, Vol. II, p. 115. 7. The Works of Johannes Ciconia, edited by Margaret Bent and Anne Hallmark, Monaco: Editions de L'Oiseau-Lyre, 1985. Polyphonic Music of the Fourteenth Century XXIV, p. 177. Literature1. BUKOFZER, Manfred. 'Two mensural canons', Musica Disciplina, II (1948), p. 166.2. BONACCORSI, Alfredo. 'Un nuovo codice dell' Ars nova: Il codice Lucchese', Atti della Accademia Nazionale dei Lincei, Ser. 8, I/12 (1948), p. 587. 3. PIRROTTA, Nino and Ettore LI GOTTI. 'Il Codice di Lucca. III. Il repertorio musicale', Musica Disciplina, V (1951), p. 123. 4. GÜNTHER, Ursula. 'Zur Datierung des Manuskripts Modena, Biblioteca Estense, a M.5,24 (olim lat. 568), Bericht über den Internationalen Musikwissenschaftlichen Kongress Leipzig, 1966, Kassel and Basel, Bärenreiter, 1970, p. 177., p. 177., p. 177., p. 177. 5. THIBAULT, Geneviève. 'Emblèmes et devises des Visconti dans les oeuvres musicales du Trecento', L'Ars nova italiana del Trecento III: Certaldo 1969, 1970, pp. 142-144. 6. FALLOWS, David. 'Ciconia padre e figlio', Rivista italiana di musicologia, XI (1976), p. 175. 7. CLERCX-LEJEUNE, Suzanne. 'Ancora su Johannes Ciconia (c. 1335-1411)', Nuova Rivista Musicale Italiana, XI (1977), p. 589. 8. GÜNTHER, Ursula. 'Problems of dating in Ars nova and Ars subtilior', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, p. 294. 9. WILLIAMS, C. 'Two examples of mannerist notation in the late fourteenth century', Miscellanea Musicologica, XI (1980), pp. 116-118. 10. GÜNTHER, Ursula. 'Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, p. 263. Recordings1. Johannes Ciconia (1335 - 1411), Early Music Studio, directed by Thomas Binkley (1972): EMI-Reflexe 1C063-30-102 (GER).2. Johannes Ciconia, Las Huelgas Ensemble, directed by Paul van Nevel (1980): Musique en Wallonie 80040-44 (set). |
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