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Medieval Music Database

L[e] ray au soleyl qui dret som karmeyne
attributed to Johannes Ciconia

Sources

Lucca: Archivio di Stato 184 (Mancini Codex), fol. 83 (3/2c).

Facsimiles

The Lucca Codex. Codice Mancini. Introductory Study and Facsimile Edition, edited by John N�das and Agostino Ziino, Lucca: Libreria musicale italiana editrice, 1990.

Editions

1. GHISI, Federico. 'Italian Ars nova music, the Perugia and Pistoia fragments of the Lucca Codex, and other unpublished early fifteenth century sources', Musica Disciplina, I/3 (1946), p. 9.
2. BUKOFZER, Manfred. 'Two mensural canons', Musica Disciplina, II (1948), p. 169.
3. CLERCX, Suzanne. Johannes Ciconia: Un musicien li�gois et son temps, 2 vols., Brussels: Palais des Acad�mies, 1960, Vol. II, p. 91.
4. HOPPIN, Richard H. Review of Suzanne Clercx: Johannes Ciconia, Musical Quarterly, XLVII (1961), p. 419.
5. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 53/III, p. 155.
6. WILLIAMS, Carol J. The Mancini Codex: A Manuscript Study, Ph.D. dissertation (University of Adelaide), 3 vols., 1983, Vol. II, p. 115.
7. The Works of Johannes Ciconia, edited by Margaret Bent and Anne Hallmark, Monaco: Editions de L'Oiseau-Lyre, 1985. Polyphonic Music of the Fourteenth Century XXIV, p. 177.

Literature

1. BUKOFZER, Manfred. 'Two mensural canons', Musica Disciplina, II (1948), p. 166.
2. BONACCORSI, Alfredo. 'Un nuovo codice dell' Ars nova: Il codice Lucchese', Atti della Accademia Nazionale dei Lincei, Ser. 8, I/12 (1948), p. 587.
3. PIRROTTA, Nino and Ettore LI GOTTI. 'Il Codice di Lucca. III. Il repertorio musicale', Musica Disciplina, V (1951), p. 123.
4. G�NTHER, Ursula. 'Zur Datierung des Manuskripts Modena, Biblioteca Estense, a M.5,24 (olim lat. 568), Bericht �ber den Internationalen Musikwissenschaftlichen Kongress Leipzig, 1966, Kassel and Basel, B�renreiter, 1970, p. 177., p. 177., p. 177., p. 177.
5. THIBAULT, Genevi�ve. 'Embl�mes et devises des Visconti dans les oeuvres musicales du Trecento', L'Ars nova italiana del Trecento III: Certaldo 1969, 1970, pp. 142-144.
6. FALLOWS, David. 'Ciconia padre e figlio', Rivista italiana di musicologia, XI (1976), p. 175.
7. CLERCX-LEJEUNE, Suzanne. 'Ancora su Johannes Ciconia (c. 1335-1411)', Nuova Rivista Musicale Italiana, XI (1977), p. 589.
8. G�NTHER, Ursula. 'Problems of dating in Ars nova and Ars subtilior', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, p. 294.
9. WILLIAMS, C. 'Two examples of mannerist notation in the late fourteenth century', Miscellanea Musicologica, XI (1980), pp. 116-118.
10. G�NTHER, Ursula. 'Sinnbez�ge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. G�nther and L. Finscher, Kassel: B�renreiter, 1984, p. 263.

Recordings

1. Johannes Ciconia (1335 - 1411), Early Music Studio, directed by Thomas Binkley (1972): EMI-Reflexe 1C063-30-102 (GER).
2. Johannes Ciconia, Las Huelgas Ensemble, directed by Paul van Nevel (1980): Musique en Wallonie 80040-44 (set).

Content Approved by: MMDB Director
Last updated: Wednesday, 19 March 2003

Cantus

CAO-ECE

Cantus Planus

Vulgate

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