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Petrum Marcello Venetum; O Petre antistes incliteFour-voice motet by Johannes Ciconia SourcesBologna: Civico Museo Bibliografico Musicale, Ms Q 15, fol. 248v-249 (4/2) (plus Tenor solus & altern. Contratenor).Editions1. CLERCX, Suzanne. Johannes Ciconia: Un musicien liégois et son temps, 2 vols., Brussels: Palais des Académies, 1960, Vol. II, p. 193.2. COX, B. W. The Motets of Manuscript Bologna, Civico Museo Bibliografico Musicale, Q 15, Ph.D. dissertation, North Texas State University: 1977, p. 431. 3. The Works of Johannes Ciconia, edited by Margaret Bent and Anne Hallmark, Monaco: Editions de L'Oiseau-Lyre, 1985. Polyphonic Music of the Fourteenth Century XXIV, p. 94. Literature1. VECCHI, Giuseppe. 'Letteratura e musica nel Trecento', L'Ars nova italiana del Trecento III: Certaldo, 1969, 1970, p. 501.2. SANDERS, Ernest. 'The mediaeval motet', Gattungen der Musik in Einzeldarstellungen: Gedenkschrift Leo Schrade, Erste Folge, Bern, Munich: 1971, pp. 497-573. 3. ELDERS, W. 'Humanism and early Renaissance music: a study of the ceremonial music by Ciconia and Dufay', Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, XXVII (1977), pp. 87-88. 4. BENT, Margaret. 'Text setting in sacred music of the early 15th century: evidence and implications', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter, 1984, pp. 322, 325n. RecordingsJohannes Ciconia, Las Huelgas Ensemble, directed by Paul van Nevel (1980): Musique en Wallonie 80040-44 (set). |
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