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Medieval Music Database

Apollinis eclipsatur; Zodiacum signis; [In omnem terram]
3 voice motet by Bernard de Cluny

Sources

Barcelona: Biblioteca de Catalunya, BM 853, fol. 1 (4/2) (different Triplum & Contratenor); Biblioteca de Catalunya 971 (olim 946), fol. 11v-12 (3/2);
Ivrea: Biblioteca Capitolare 115, fol. 12v-13 (3/2);
Leiden: Universiteitsbibliotheek, Fragment B.P.L. 2515, fol. I (3/2) (Triplum only);
Padua: Biblioteca Universitaria 658, fol. 2v (3/2) (Triplum only, incomplete);
Paris: Bibliothèque Nationale, fonds nouv. acq. français 23190 (olim Serrant Château, ducs de la Trémoïlle), fol. 1v-2 (3/2);
Strasbourg: Bibliothèque Municipale (olim Bibliothèque de la Ville) 222 C. 22, fol. 64v-65 (5/3);
Tarragona: Archivo Histórico Archidiocesano ss(2), fol. 1 (3/2) (Motetus and Tenor, incomplete).

Facsimiles

Bruxelles, Bibliothèque du Conservatoire Royal de Musique. (A copy by Edmond de Coussemaker of 48 compositions from F-Sm 222), n13.

Editions

1. Motets of French Provenance, edited by Frank Ll. Harrison, Monaco: Editions de L'Oiseau-Lyre, 1968. Polyphonic Music of the Fourteenth Century V, p. 50 (IV115)., p. 54 (Barc).
2. Two 14th-Century Motets in Praise of Music, edited by Margaret Bent, Devon: Antico Edition AE 15, 1986, p. 8 (IV115).
3. GOMEZ, Maria del Carmen. 'Une version a cinq voix du motet "Apollinis eclipsatur/Zodiacum signis" dans le manuscript E-BCEN 853', Musica Disciplina, XXXIX (1985), p. 30.
4. 'Musicorum Collegio': Six Fourteenth-Century Musicians' Motets, edited with a new introduction by Frank Ll. Harrison, Monaco: Editions de L'Oiseau-Lyre, 1986. [Offprint from Polyphonic Music of the Fourteenth Century], p. 7 [R PMFC (IV115)].
5. GOMEZ, Maria del Carmen. 'El manuscrito M971 de la Biblioteca de Catalunya (Misa de Barcelona)', Butlletí de la Biblioteca de Catalunya, X, 1982-1984, Barcelona: Biblioteca de Catalunya, 1986, p. 278.

Literature

1. BORGHEZIO, Gino. 'Poesie musicali latine e francesi in un codice ignorato de la Biblioteca capitolare d'Ivrea (Torino)', Archivum romanicum: nuova rivista di filologia romanza, V (1921), pp. 174-176.
2. BORREN, Charles van den. Le manuscrit musical 222 C. 22 de la bibliothèque de Strasbourg (XVe siècle) brulé en 1870, et reconstitué d'après une copie d'Edmond de Coussemaker, Antwerp: E. Secelle, 1924, pp. 111-113, 196.
3. BESSELER, Heinrich. 'Studien zur Musik des Mittelalters. I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts', Archiv für Musikwissenschaft, VII (1925): 167-252.
4. BESSELER, Heinrich. 'Studien zur Musik des Mittelalters. Nachtrag zu Studie I', Archiv für Musikwissenschaft, VIII (1926), p. 233.
5. HOPPIN, Richard H. 'Some remarks a propos of Pic. (B.N. coll. de Picardie vol. 67, folio 67)', Revue belge de musicologie, X (1956), p. 110.
6. HOPPIN, Richard H. and Suzanne CLERCX. 'Notes biographiques sur quelques musiciens français du XIVe siècle', Les Colloques de Wégimont II, 1955, Paris: Société d'Edition "Les belles lettres", 1959, pp. 67-75.
7. SANDERS, Ernest. 'The mediaeval motet', Gattungen der Musik in Einzeldarstellungen: Gedenkschrift Leo Schrade, Erste Folge, Bern, Munich: 1971, pp. 497-573.
8. GALLO, F. Alberto. Il Medioevo, vol. II, Turin: Edizioni di Torino, 1977. [English translation as Music of the Middle Ages, vol. II, Cambridge: Cambridge University Press, 1985], p. 78, Readings 5.2.
9. NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59.
10. HALLMARK, Anne. 'Some evidence for French influence in northern Italy, c.1400', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: Cambridge University Press, 1983, pp. 193-226.
11. GÜNTHER, Ursula. 'Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, p. 267.
12. RECKOW, Fritz. 'rectitudo-pulchritudo-enormitas. Spätmittelalterliche Erwägungen zum Verhältnis von materia und cantus', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter: 1984, p. 22.
13. NEWES, Virginia E. 'The relationship of text to imitative technique in 14th century polyphony', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 121-154.
14. GOMEZ, Maria del Carmen. 'Une version a cinq voix du motet "Apollinis eclipsatur/Zodiacum signis" dans le manuscript E-BCEN 853', Musica Disciplina, XXXIX (1985): 5-44.

Recordings

Music of the Gothic Era [c.1160 - 1400], Early Music Consort of London, directed by David Munrow (1975): Archiv 2723 045 (3 discs)(EUR).

Content Approved by: MMDB Director
Last updated: Wednesday, 19 March 2003

Cantus

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