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Gloriaby Picard SourcesLondon: British Library, Additional 57950 (olim Old Hall, Library of St. Edmund's College), fol. 21v-22 (4/3).Editions1. The Old Hall Manuscript, edited by Alexander Ramsbotham, completed by H.B. Collins and Dom Anselm Hughes, 3 vols., Nashdom Abbey, Burnham, Buckinghamshire: Plainsong and Medieval Music Society, 1933-1938, Vol. I, p. 76.2. The Old Hall Manuscript, edited by Andrew Hughes and Margaret Bent, 3 vols., American Institute of Musicology, 1973. Corpus Mensurabilis Musicae 46, Vol. I, p. 65. Literature1. APEL, Willi. The Notation of Polyphonic Music 900-1600, Cambridge/Massachusetts: The Medieval Academy of America, 1942, p. 366.2. HUGHES, Andrew. 'Mass pairs in the Old Hall and other English manuscripts', Revue Belge de Musicologie, 19 (1965), pp. 23-24. 3. HUGHES, Andrew. 'Mensural polyphony for choir in 15th century England', Journal of the American Musicological Society, 19 (1966), pp. 354-355. 4. HOPPIN, Richard H. Medieval Music, New York: W. W. Norton, 1978, p. 518. 5. BENT, Margaret. 'Text setting in sacred music of the early 15th century: evidence and implications', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter, 1984, p. 298. 6. NEWES, Virginia. 'Chace, caccia, fuga: the convergence of French and Italian traditions', Musica Disciplina, XLI (1987), p. 57. 7. LERCH, Irmgard. 'Messkompositionen mit kanonischen Stimmen - eine internationale Erscheinung?', Musica Disciplina, XLI (1987): 59-73. RecordingsThe study of love, Gothic Voices, directed by Christopher Page (1992): Hyperion CDA66619. |
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