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Credoby Picard SourcesLondon: British Library, Additional 57950 (olim Old Hall, Library of St. Edmund's College), fol. 59v-60 (5/3) (partly 3/3).Editions1. The Old Hall Manuscript, edited by Alexander Ramsbotham, completed by H.B. Collins and Dom Anselm Hughes, 3 vols., Nashdom Abbey, Burnham, Buckinghamshire: Plainsong and Medieval Music Society, 1933-1938, Vol. II, p. 82.2. The Old Hall Manuscript, edited by Andrew Hughes and Margaret Bent, 3 vols., American Institute of Musicology, 1973. Corpus Mensurabilis Musicae 46, Vol. I, p. 195. Literature1. NEWES, Virginia E. 'The relationship of text to imitative technique in 14th century polyphony', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 121-154.2. GÜNTHER, Ursula. 'Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 229-268. 3. GOMEZ, Maria del Carmen. 'Une version a cinq voix du motet "Apollinis eclipsatur/Zodiacum signis" dans le manuscript E-BCEN 853', Musica Disciplina, XXXIX (1985): 5-44. |
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