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Medieval Music Database

Apt, Cathédrale Sainte-Anne, Bibliothèque du Chapitre, 16bis

A Southern French manuscript closely connected with the papal court in Avignon. The repertoire of mass movements, hymns and motets includes composers from Philippe de Vitry to Baude Cordier.

INVENTORIES


  1. BESSELER, Heinrich. 'Studien zur Musik des Mittelalters. I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts', Archiv für Musikwissenschaft, VII (1925): 167-252 (pp. 201-205).

  2. Répertoire international des sources musicales. BIV 2. Manuscripts of Polyphonic Music (c.1320-1400), edited by Gilbert Reaney, G. Henle Verlag: Munich-Duisburg, 1969, pp. 104-115.

  3. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550, 5 vols, Neuhausen-Stuttgart: American Institute of Musicology, Hänssler Verlag, 1979-1988. Renaissance Manuscript Studies 1, vol. 1, p. 8.

  4. TOMASELLO, Andrew. Music and Ritual at Papal Avignon, 1309-1403, Ann Arbour, Michigan: UMI Research Press, 1983, pp. 127-150.


CONTENTS


  1. fol. 1-2, Kyrie, Rex angelorum - Clemens pater (Kyrie))

  2. fol. 2v-3, Kyrie, Humano generi (Kyrie))

  3. fol. 2v/3v;3r, Kyrie (Kyrie))

  4. fol. 3v, Kyrie (Kyrie))

  5. fol. 4, Kyrie, Principium effectivum (Kyrie))

  6. fol. 4v, Kyrie (Chipre))

  7. fol. 5, Kyrie (Perrinet))

  8. fol. 5v-7, Gloria, qui sonitu melodie (Gloria))

  9. fol. 7v-8, Gloria (Chassa))

  10. fol. 8v, Kyrie, O sacra virgo (Kyrie))

  11. fol. 9, Kyrie (Guymont))

  12. fol. 9v, Kyrie, Jesu dulcissime (Defronciaco))

  13. fol. 10-11, Gloria (Depansis))

  14. fol. 11-11v, Sanctus (Fleurie))

  15. fol. 11r/v, Sanctus (Fleurie))

  16. fol. 11v, Sanctus (Sanctus))

  17. fol. 12, Agnus Dei (Agnus Dei))

  18. fol. 12v-13, Sanctus, Sacro sanctus pater - Sanctus miro gaudio (Sanctus))

  19. fol. 12v/13r, Sanctus, Sacro sanctus pater - Sanctus miro gaudio (Sanctus))

  20. fol. 13v-14, Impudenter circumivi - Virtutibus laudabilis - Alma redemptoris (Philippe de Vitry))

  21. fol. 14v\1, Christe redemptor omnium (hymn))

  22. fol. 14v\2, Conditor alme siderum (hymn))

  23. fol. 15\1, Sanctorum meritis inclita (hymn))

  24. fol. 15\2, Veni creator spiritus (hymn))

  25. fol. 15v-16, Deus tuorum militum (hymn))

  26. fol. 15v\1, Ave maris stella (hymn))

  27. fol. 15v\2, Jhesu corono virginum (hymn))

  28. fol. 16, Iste confessor (hymn))

  29. fol. 16r, Iste confessor Domini sacratus - Orbis exultans - Ut queant laxis (motet))

  30. fol. 16v\1, Jhesu nostra redemptio (hymn))

  31. fol. 16v\2, Ut queant lapsis (hymn))

  32. fol. 17, Sanctus (Sanctus))

  33. fol. 17v-18, Gloria (Loys))

  34. fol. 19-20, Credo (Orles))

  35. fol. 20v-21, Colla jugo subdere - Bona condit - Libera me (Philippe de Vitry))

  36. fol. 21, Dantur officia - Quid scire proderit nova et vetera (Philippe de Vitry?))

  37. fol. 21v, Imperatrix regina - O Maria spes reorum (motet))

  38. fol. 22-23v, Gloria, splendor patris (Mass of Barcelona) (Gloria))

  39. fol. 24, Kyrie, Summe clementissime (Johannes Graneti))

  40. fol. 24v-25, Gloria (Johannes de Bosco))

  41. fol. 25v-26, Gloria (Johannes Suzoy))

  42. fol. 27v-29, Credo (Credo))

  43. fol. 29v-32, Credo (Perrinet))

  44. fol. 32v-34, Credo (Jacobus Murrin))

  45. fol. 34v-36, Credo (Johannes Tapissier))

  46. fol. 35v-36, Sanctus (Johannes Tapissier))

  47. fol. 36v-37v, Credo (Pierre Taillandier))

  48. fol. 38-39, Credo (Credo))

  49. fol. 40-41, Credo (Mass of Barcelona) (Sortis))

  50. fol. 41v-42, Credo (Johannes de Bosco))

  51. fol. 42v-45, Credo (Mass of Tournai) (Credo))

  52. fol. 46v, Gloria (Gloria))


LITERATURE


  1. ALBANÉS, J. H. Gallia Christiana Novissima. Vol. I. Aix, Apt, Fréjus,Gap, Riez et Sisteron, Montbéliard: Société Anonyme d'Imprimerie Montbéliardaise, 1899.

  2. SAUTEL, Joseph. 'Catalogue descriptive des manuscrits liturgiques de l'église d'Apt', Annales d'Avignon, VI (1919): 53-111.

  3. BORREN, Charles van den. Le manuscrit musical 222 C. 22 de la bibliothèque de Strasbourg (XVe siècle) brulé en 1870, et reconstitué d'après une copie d'Edmond de Coussemaker, Antwerp: E. Secelle, 1924, p. 52f, 67f, 89f, 97, 102, 104ff, 119ff.

  4. ELLING, Alwin. Die Messen, Hymnen und Motetten der Handschrift von Apt, Ph.D. dissertation, Göttingen: 1924.

  5. LUDWIG, Friedrich. 'Die mehrstimmige Messe des 14. Jahrhunderts', Archiv für Musikwissenschaft, VII (1925): 417-435 (p. 426ff).

  6. BESSELER, Heinrich. 'Von Dufay bis Josquin', Zeitschrift für Musikwissenschaft, XI (1928-1929) (p. 4, 19f).

  7. Guillaume de Machaut: Musikalische Werke. Zweiter Band: Einleitung zu I. Balladen, Rondeaux und Virelais. II. Motetten. III. Messe und Lais, edited by Friedrich Ludwig, Leipzig: Breitkopf & Härtel, 1928, pp. 18b, 21b, 22a, 22b, 38b. 61a.

  8. DANNEMANN, Erna. Die spätgotische Musiktradition in Frankreich und Burgund vor dem Auftreten Dufays, Strasbourg: 1936. Sammlung musikwissenschaftlicher Abhandlungen 22, Chapter IV.

  9. BESSELER, Heinrich. 'Apt', Die Musik in Geschichte und Gegenwart, I (1951): 569-570.

  10. HARDER, Hanna. 'Die Messe von Toulouse', Musica Disciplina, VII (1953):105-128.

  11. SCHRADE, Leo. 'A fourteenth-century parody mass', Acta Musicologica, XXVII (1955): 13-39 (p. 37ff).

  12. SCHRADE, Leo. 'Philippe de Vitry: some new discoveries', Musical Quarterly, XLII (1956): 330-354 (p. 353f).

  13. JACKSON, R. 'Musical interrelations between fourteenth century Mass movements (a preliminary study)', Acta Musicologica, XXIX (1957): 54ff (p. 60ff).

  14. Fourteenth-Century Mass Music in France, critical edition of the text by Hanna Stäblein-Harder, [n.p.]: American Institute of Musicology, 1962. Musicological Studies and Documents 7, pp. 92-96 and passim.

  15. Medieval Instrumental Dances, edited by Timothy J. McGee, Bloomington and Indianapolis: Indiana University Press, 1989.

CONCORDANCES

1.Apt, Basilique Sainte-Anne, Trésor 9 (5v-8, Iste confessor; 5v-8r, Iste confessor Domini sacratus - Orbis exultans - Ut queant laxis).
2.Arras, Bibliothèque Municipale 983 (766), flyleaf (62, Colla jugo subdere - Bona condit - Libera me).
3.Barcelona, Biblioteca de Catalunya, BM 853b (2v-3v, Credo; 5-5v, Gloria; 8-8v, Kyrie, O sacra virgo; 12, Kyrie, Summe clementissime).
4.Barcelona, Biblioteca de Catalunya, BM 853c/d (2v, Sanctus; 2v, Sanctus; 2v, Sanctus; 5, Kyrie, O sacra virgo; 8-8v, Credo).
5.Barcelona, Biblioteca de Catalunya 971 (olim 946) (1v-3v, Gloria, splendor patris (Mass of Barcelona); 3v-6, Credo (Mass of Barcelona); 10v-11, Gloria).
6.Barcelona, Biblioteca de Catalunya 971c (1, Kyrie, Rex angelorum - Clemens pater).
7.Barcelona, Biblioteca de Catalunya 971 and Gerona, Archivo Capitular, frag. 33/1 (xxiv verso, Credo; xxiiii/v, Credo; xiii-xiii verso, Credo; 14r/v, Credo).
8.Barcelona, Biblioteca de L'Orfeó Català 2 (BarcB) (1v-3, Gloria, splendor patris (Mass of Barcelona); 4, Credo; 5, Kyrie, Summe clementissime).
9.Berlin, Deutsche Staatsbibliothek 40580 (61v-62v, Iste confessor Domini sacratus - Orbis exultans - Ut queant laxis).
10.Berlin-Tübingen, Staatsbibliothek Preussischer Kulturbesitz, Germ. 8o 190 (B-T 190) (n23, Iste confessor).
11.Berlin-Tübingen, Staatsbibliothek, Stiftung Kulturbesitz (olim Preuss. Staatsbibliothek), Germ. 8 190 (n23, Iste confessor Domini sacratus - Orbis exultans - Ut queant laxis).
12.Bern, Bürgerbibliothek A 421 (18, Impudenter circumivi - Virtutibus laudabilis - Alma redemptoris).
13.Bologna, Civico Museo Bibliografico Musicale, Ms Q 15. (48v-50, Credo).
14.Breslau, Biblioteka Uniwersytecka Ak 1955/KN 195 (olim MS fragment 82 from I.Q.411) (n7, Colla jugo subdere - Bona condit - Libera me).
15.Brussels, Archives du Royaume, Archives Ecclésiastiques 758 (53, Impudenter circumivi - Virtutibus laudabilis - Alma redemptoris).
16.Brussels, Bibliothèque du Conservatoire Royal de Musique, fonds St. Gudule, 2nd Fragment (Credo).
17.Burgos, Monasterio de Las Huelgas (165v, 153-154, Credo (Mass of Tournai)).
18.Cambrai, Bibliothèque Communale Ms 29 (olim C.32) (7, Iste confessor; 7v, Iste confessor Domini sacratus - Orbis exultans - Ut queant laxis).
19.Cambrai, Bibliothèque Municipale 1328 (3v/4r, Gloria, qui sonitu melodie; 6r, Iste confessor).
20.Cambrai, Bibliothèque Municipale 1328 (3v/4r, Gloria, qui sonitu melodie; 4v-6r, Credo (Mass of Barcelona); 6r, Iste confessor Domini sacratus - Orbis exultans - Ut queant laxis; 13r, Colla jugo subdere - Bona condit - Libera me).
21.Cividale del Friuli, Museo Archeologico Nazionale LVII (326, Iste confessor; 326, Iste confessor Domini sacratus - Orbis exultans - Ut queant laxis).
22.Cividale del Friuli, Museo Archeologico Nazionale XCVIII (1v, 41, Credo (Mass of Barcelona)).
23.Florence, San Lorenzo, Archivio Capitolare 2211 [palimpsest] (79v, Impudenter circumivi - Virtutibus laudabilis - Alma redemptoris).
24.Gerona, Archivo Capitular, frag. 33/II (Sanctus; 1, Kyrie; 2, Kyrie, Principium effectivum; 2v-3, Sanctus; 2v-3r, Sanctus; 2v-3, Sanctus).
25.Grottaferrata, Badia Greca, Biblioteca, collocazione provisoria 197 (2v-3v, Gloria, qui sonitu melodie; 5, Credo).
26.Ivrea, Biblioteca Capitolare 115 (4v-5, Impudenter circumivi - Virtutibus laudabilis - Alma redemptoris; 5v-6\2, Dantur officia - Quid scire proderit nova et vetera; 17v-18, Colla jugo subdere - Bona condit - Libera me; 18, Gloria; 36, Kyrie; 36v-37, Gloria, qui sonitu melodie; 41v-42v, Credo; 47v-48, Credo (Mass of Barcelona); 48v, Gloria; 53v-54v, Kyrie, Rex angelorum - Clemens pater).
27.Kernaskléden, frescoes in the church of Notre Dame (Sanctus).
28.Leiden, Universiteitsbibliotheek, Fragment B.P.L. 2515 (II-IIv, Credo (Mass of Barcelona)).
29.Leiden, Universiteitsbibliotheek, Fragment L.T.K. 342A (Impudenter circumivi - Virtutibus laudabilis - Alma redemptoris).
30.Lucca, Archivio di Stato, Biblioteca manuscritti 247, no. 3 (Sanctorum meritis inclita).
31.Madrid, Archivo Histórico Nacional, Carpeta 1474, frag. 17 (1, Kyrie, Summe clementissime).
32.Madrid, Biblioteca Nacional, Va. 21-8 (272-274, Credo (Mass of Tournai)).
33.Munich, Bayerische Staatsbibliothek, Handschriften-Inkunabelabteilung, MS Latinus monacensis 14274 (olim Mus. 3232a; Clm 352c) (32v, Kyrie, Summe clementissime; 78v, Gloria).
34.Munich, Bayerische Staatsbibliothek 29775 (Ar/v, Gloria, qui sonitu melodie; 1r/v, Credo; 78v, Gloria).
35.Munich, Bayrische Staatsbibliothek, Clm 29775 (Ar-v, Gloria, qui sonitu melodie; Ar, Gloria; 1r-v, Credo).
36.Munich, Bayerische Staatsbibliothek, Clm 14274 (olim M.mus. 3232a) (78v, Gloria).
37.Nürnberg, Staatsbibliothek, Fragment lat. 9a (2v-3v, Gloria, qui sonitu melodie).
38.Nürnberg, Stadtbibliothek, fragment lat. 9a (olim Centurio III, 25) (2v-3v, Gloria, qui sonitu melodie).
39.Pavia, Biblioteca Universitaria, Aldini 361 (1v/2, Iste confessor; 1v-2r, Iste confessor Domini sacratus - Orbis exultans - Ut queant laxis; 3v, Iste confessor; 3v, Iste confessor Domini sacratus - Orbis exultans - Ut queant laxis).
40.Padua, Biblioteca Universitaria 684 (n4, Gloria, qui sonitu melodie; n8, Credo; 195v, Credo).
41.Paris, Bibliothèque de l'Arsenal 196 (226, Iste confessor; 226r, Iste confessor Domini sacratus - Orbis exultans - Ut queant laxis).
42.Paris, Bibliothèque Nationale, fonds nouv. acq. français 23190 (olim Serrant Château, ducs de la Trémoïlle) (index, Iste confessor Domini sacratus - Orbis exultans - Ut queant laxis; 1v, Colla jugo subdere - Bona condit - Libera me; 18v-19, Iste confessor; 36v or 44v, Credo (Mass of Barcelona)).
43.Paris, Bibliothèque Sainte-Geneviève 1257 (36v, Kyrie, Summe clementissime).
44.Rochester / New York, Sibley Musical Library, Fleischer fragment 44 (1v-2, Gloria, qui sonitu melodie; 2v, Credo (Mass of Barcelona)).
45.Rome, Biblioteca Apostolica Vaticana, Ottoboniano latino 1969 (n3, Credo; IIr/v, Credo).
46.Rome, Biblioteca Apostolica Vaticana, Urb. latino 1419 (93v, Kyrie, Summe clementissime).
47.Solsona, Archivo Diocesano, Fragment 109 (1v, Gloria; 2v, Credo (Mass of Barcelona)).
48.Strasbourg, Bibliothèque Municipale (olim Bibliothèque de la Ville) 222 C. 22 (3v-4, Credo; 20v, Impudenter circumivi - Virtutibus laudabilis - Alma redemptoris; 40v, Gloria, qui sonitu melodie; 41v, Gloria; 48v, Dantur officia - Quid scire proderit nova et vetera; 52v, Gloria, splendor patris (Mass of Barcelona); 56v, Credo; 56v/57v, Credo; 69v-70, Colla jugo subdere - Bona condit - Libera me).
49.Tarragona, Archivo Histórico Archidiocesano ss(1) (1\1, Colla jugo subdere - Bona condit - Libera me).
50.Tarragona, Archivo Histórico Archidiocesano ss(2) (1v, Colla jugo subdere - Bona condit - Libera me).
51.Toulouse, Bibliothèque Municipale 94 (1, Credo (Mass of Barcelona)).
52.Tournai, Bibliothèque Capitulaire 476 (30-31v, Credo (Mass of Tournai)).
53.Trent, Museo Provinciale d'Arte (ex Museo Nazionale, housed in Castello del Buon Consiglio), 87 (164r, Iste confessor; 164r, Iste confessor Domini sacratus - Orbis exultans - Ut queant laxis).
54.Troyes, Bibliothèque municipale 1397 ([230], Impudenter circumivi - Virtutibus laudabilis - Alma redemptoris).
55.Washington, Library of Congress, M 2.1.C 6a. 14 (1v, Credo).

Recordings of works contained in this manuscript

  1. Philippe de Vitry 1291-1361: RD 77 095: Colla jugo subdere; Bona condit; Libera me; Impudenter circumivi; Virtutibus laudabilis; Alma redemptoris;.
  2. Philippe de Vitry and the Ars Nova: CD-SAR 49: Colla jugo subdere; Bona condit; Libera me; Impudenter circumivi; Virtutibus laudabilis; Alma redemptoris;.
  3. Messe de Tournai: Harmonia Mundi HMC 901353: Credo (Mass of Tournai);.
  4. Geistliche Musik circa 1400: Telefunken AW6 41221 (SAWT 9505) (GER): Jhesu nostra redemptio;.
  5. Music au temps des Papes en Avignon: CBS Masterworks 76534: Kyrie, Rex angelorum; Clemens pater; Impudenter circumivi; Virtutibus laudabilis; Alma redemptoris; Credo;.
  6. Music of the Gothic Era [c.1160 - 1400]: Archiv 2723 045(3) (EUR)/ 2710 019(3) (GER/USA): Impudenter circumivi; Virtutibus laudabilis; Alma redemptoris;.
  7. Missa Tournai um 1330. Motetten um 1320: Telefunken AW6 41231 (SAWT 9517) (GER): Credo (Mass of Tournai); Colla jugo subdere; Bona condit; Libera me;.
  8. Anonyme du XIVe Siècle: Messe de Tournai; Guillaume de Machaut: Messe: Erato STU 71303 (FRA): Credo (Mass of Tournai);.
  9. Ars Nova S. XIV: Missa de Barcelona, Mùsica Profana: Harmonia Mundi HMF 10.033 (FRA): Gloria, splendor patris (Mass of Barcelona);.
  10. Missa Tournai. Missa Barcelona: Harmonia Mundi IC 065-99-870: Credo (Mass of Tournai); Gloria, splendor patris (Mass of Barcelona);.
  11. Messes Polyphoniques de l'Ars Nova: le Manuscrit d'Apt (extraits) et l: Arion ARN 38 319: Agnus Dei; Kyrie;.
  12. Music of the Middle Ages. Vol IV: English Polyphony of the 13th and ea: Expèriences Anonymes EA 0024: Deus tuorum militum;.
  13. Tournai Mass (13th-14th Century): Christophorus CLP 75486: Credo (Mass of Tournai);.
  14. ?: Collegium Stereo JE 113: Impudenter circumivi; Virtutibus laudabilis; Alma redemptoris;.


Content Approved by: MMDB Director
Last updated: Wednesday, 5 March 2003


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