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Medieval Music Database
Barcelona, Biblioteca de Catalunya, BM 853
A single parchment bifolio of the second half of the 14th-century containing 3 unique mass fragments and 2 motets.
INVENTORIES
- BESSELER, Heinrich. 'Studien zur Musik des Mittelalters. I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts', Archiv für Musikwissenschaft, VII (1925): 167-252 (pp. 200-201).
- Répertoire international des sources musicales. BIV 2. Manuscripts of Polyphonic Music (c.1320-1400), edited by Gilbert Reaney, G. Henle Verlag: Munich-Duisburg, 1969, pp. 89-90.
CONTENTS
- fol. 1, Apollinis eclipsatur - Zodiacum signis - [In omnem terram] (Bernard de Cluny))
- fol. 1v, Zolomina zelus virtutibus - Nazarea que decora - [Ave Maria] (motet))
- fol. 2, Gloria, spiritus et alme (Gloria))
- fol. 2v\1, Kyrie (Kyrie))
- fol. 2v\2, Gloria (Gloria))
LITERATURE
- El codex musical de la Huelgas, edited by Higini Anglès, 3 vols, Barcelona: 1931, vol. 1, p. 120.
- ANGLÉS, Higini. La Música espanola desde la edad media hasta nuestros dias: Catálogo de la Exposición histórica, Barcelona, 1941, p. 26.
- Fourteenth-Century Mass Music in France, critical edition of the text by Hanna Stäblein-Harder, [n.p.]: American Institute of Musicology, 1962. Musicological Studies and Documents 7, pp. 110, 134-135.
- SANDERS, Ernest. 'The mediaeval motet', Gattungen der Musik in Einzeldarstellungen: Gedenkschrift Leo Schrade, Erste Folge, Bern, Munich: 1971, pp. 497-573.
- GALLO, F. Alberto. Il Medioevo, Vol. II, Turin: Edizioni di Torino, 1977. [English translation as Music of the Middle Ages, vol. II, Cambridge: Cambridge University Press, 1985], p. 78, Readings 5.2.
- NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59.
- HALLMARK, Anne. 'Some evidence for French influence in northern Italy, c.1400', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: Cambridge University Press, 1983, pp. 193-226.
- GOMEZ, Maria del Carmen. 'Musique et musiciens dans les chapelles de la maison royale d'Aragon (1336-1413)', Musica Disciplina, XXXVIII (1984): 67-86 (p. 78ff).
- GÜNTHER, Ursula. 'Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 229-268 (p. 267).
- RECKOW, Fritz. 'rectitudo-pulchritudo-enormitas. Spätmittelalterliche Erwägungen zum Verhältnis von materia und cantus', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter: 1984,pp. 1-36.
- GOMEZ, Maria del Carmen. 'Une version a cinq voix du motet "Apollinis eclipsatur/Zodiacum signis" dans le manuscript E-BCEN 853', Musica Disciplina, XXXIX (1985): 5-44.
CONCORDANCES1.Barcelona, Biblioteca de Catalunya 971 (olim 946) (11v-12, Apollinis eclipsatur - Zodiacum signis - [In omnem terram]).
2.Ivrea, Biblioteca Capitolare 115 (12v-13, Apollinis eclipsatur - Zodiacum signis - [In omnem terram]; 13v-14, Zolomina zelus virtutibus - Nazarea que decora - [Ave Maria]).
3.Leiden, Universiteitsbibliotheek, Fragment B.P.L. 2515 (I, Apollinis eclipsatur - Zodiacum signis - [In omnem terram]).
4.Padua, Biblioteca Universitaria 658 (2v, Apollinis eclipsatur - Zodiacum signis - [In omnem terram]).
5.Paris, Bibliothèque Nationale, fonds nouv. acq. français 23190 (olim Serrant Château, ducs de la Trémoïlle) (1v-2, Apollinis eclipsatur - Zodiacum signis - [In omnem terram]; 18v-19, Zolomina zelus virtutibus - Nazarea que decora - [Ave Maria]).
6.Strasbourg, Bibliothèque Municipale (olim Bibliothèque de la Ville) 222 C. 22 (64v-65, Apollinis eclipsatur - Zodiacum signis - [In omnem terram]).
7.Tarragona, Archivo Histórico Archidiocesano ss(2) (1, Apollinis eclipsatur - Zodiacum signis - [In omnem terram]).
Recordings of works contained in this manuscriptMusic of the Gothic Era [c.1160 - 1400]: Archiv 2723 045 (3 discs)(EUR): Apollinis eclipsatur; Zodiacum signis; [In omnem terram];.
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