Welcome to La Trobe University Library
Bypass navigation and go to content




Library Home
 
MMDB Home
 
Browse
 
By Text
By Composer
By Genre
By Manuscript
Complete Manuscripts
By Liturgical Feast
 
Search
 
By Text
By Melody
By Descriptor
 
Scribe Software
 
What's New
 
Contact





Medieval Music Database

Oxford, Bodleian Library, MS Canonici Miscellaneous 213

An important early 15thC source, closely related to BL, but with a slightly earlier repertoire revealed by its emphasis on secular works. Dufay, Binchois and Lantins are well represented; it also contains 7 of Baude Cordier's 10 secular works.

INVENTORIES


  1. REANEY, Gilbert. 'The manuscript Oxford, Bodleian Library, Canonici Misc. 213', Musica Disciplina, IX (1955): 73-104.

  2. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550, 5 vols, Neuhausen-Stuttgart: American Institute of Musicology, Hänssler Verlag, 1979-1988. Renaissance Manuscript Studies 1, Vol. II, p. 275.


CONTENTS


  1. fol. 17, Je demande ma bienvenue (Johannes de Altacuria))

  2. fol. 22v-23, O felix templum jubila (Johannes Ciconia))

  3. fol. 26v-27, Pontifici decori speculi (Johannes Carmen))

  4. fol. 68v, Gloria (Richard Loqueville))

  5. fol. 81, Jesu salvator seculi - Quo vulneratus scelere (Hymbert de Salinis))

  6. fol. 82v, Se j'estoye aseuree (Johannes de Altacuria))

  7. fol. 84v, Pour la dolour l'annoy le grief martire - Qui dolente n'aura veu (Johannes Cesaris))

  8. fol. 90, Quant compaignons s'en vont juer (Richard Loqueville))

  9. fol. 91v-92, Je vous pri que j'aye un baysier (Richard Loqueville))

  10. fol. 93v, Qui ne veroit que vos deulx yeulx (Richard Loqueville))

  11. fol. 93v, Puisque je suy amoureux (Richard Loqueville))

  12. fol. 94, Je ris je chante je m'esbas (Johannes Cesaris))

  13. fol. 95v, Par un regart et un ris amoureux (virelai))

  14. fol. 96v, Pour mesdisans ne pour eur faulx parler (Richard Loqueville))

  15. fol. 97v, Ce jour de l'an que maint doist estrenier (Baude Cordier))

  16. fol. 100v, Nuda non era (Antonius `Zacharias' de Teramo))

  17. fol. 101v-102, Gloria, spiritus et alme (Johannes Ciconia))

  18. fol. 103v-104, Gloria (Johannes Ciconia))

  19. fol. 107v, De tous les biens (ballade))

  20. fol. 108v, Pour le deffault du noble dieu bachus (Baude Cordier))

  21. fol. 108v-109, J'aim. Qui? Vous. Moy! (Paulet))

  22. fol. 109v, Se mes deux yeux (Johannes Symonis Hasprois))

  23. fol. 109v-110, A l'aventure va Gauvain (Johannes Cesaris))

  24. fol. 110, Se par plour ou par dueil mener (Johannes Cesaris))

  25. fol. 110v, Je suy celuy qui veul toudis servir (Baude Cordier))

  26. fol. 110v, Que vaut avoir qui ne vit liement (Baude Cordier))

  27. fol. 111, Tant ay de plaisir et de desplaisance (Baude Cordier))

  28. fol. 112, Je suy si las venus (Antonius de Civitate Austrie))

  29. fol. 116, Dame excellent ou sont bonte (Baude Cordier))

  30. fol. 116v-117, Medee fu en amer veritable (ballade))

  31. fol. 116v-117, A virtutis ignitio - Ergo beata nascio - [Benedicta filia tua] (Johannes Cesaris))

  32. fol. 119v-120, Ut per te omnes celitus - Ingens alumnus Padue (Johannes Ciconia))

  33. fol. 122, Mon seul voloir - Certes m'amour (Johannes Cesaris))

  34. fol. 123, Ma douce amour, je me doi bien complayndre (Johannes Symonis Hasprois))

  35. fol. 123, Amans ames secretement (Baude Cordier))

  36. fol. 128v-129, Invidia [i]nimica de ciaschun (Dufay))

  37. fol. 135, Vince con lena (Bartholomeus de Bononia))

  38. fol. 136v-138, Morir desio (Bartholomeus de Bononia))

  39. fol. 137v-138, Morir desio (Bartholomeus de Bononia))

  40. fol. 138v-139, Venite adoremus dominum - Salve sancta eterna trinitas - [Venite] (Johannes Carmen))

  41. fol. 139v-140, Eya dulcis adque vernans - Vale placens (Johannes Tapissier))


LITERATURE


  1. STAINER, John & C. STAINER. Dufay and His Contemporaries. Fifty Compositions Transcribed from MS. Canonici misc. 213 in the Bodleian Library, Oxford, London and New York: Novello, 1898.

  2. BORREN, Charles van den. Etudes sur la quinzième siècle musical, Antwerp: De Nederlandsche Boekhandel, 1941.

  3. HUGHES, Dom Anselm. Medieval Polyphony in the Bodleian Library, Oxford: 1951.

  4. WOUTERS, Jos. Harmonische verschijningsvormen in de muziek van de XIIIe tot de XVIe eeuw, ?Amsterdam: ?.

  5. REANEY, Gilbert. 'The manuscript Oxford, Bodleian Library, Canonici Misc. 213'.

  6. CLERCX, Suzanne. 'Propos sur l'Ars nova', Revue belge de musicologie, X (1956): 154-160.

  7. BORREN, Charles van den. 'Dufay and his school', [chapter 7 of] The New Oxford History of Music, edited by Dom Anselm Hughes and Gerald Abraham, London: Oxford University Press, 1960.

  8. REANEY, Gilbert. 'Bodleian Library.Canonici Misc. 213 (O) (Oxforder Handschriften)', Die Musik in Geschichte und Gegenwart, X (1962): 517-518.

  9. HAGOPIAN, Viola L. Italian Ars Nova Music. A Bibliographic Guide to Modern Editions and Related Literature, Berkeley, Los Angeles, London: University of California Press, 1964, pp. 43, 62-63, 63/n51, 77, 79, 80, 82, 83,.

  10. Early Fifteenth Century Music: Anonymous Chansons from MS Oxford, Bodleian Library, Canonici Misc. 213, edited by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1969. Corpus Mensurabilis Musicae 11/IV.

  11. REANEY, Gilbert. 'The Italian contribution to the manuscript Oxford, Bodleian Library, Canonici Misc. 213', L'Ars nova italiana del Trecento III: Certaldo, 1969, 1970, pp. 443-464.

  12. BARR, Cyrilla. 'Lauda singing and the tradition of the disciplinati. Mandato: A reconstruction of two texts of the office of tenebrae', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 21-44.

  13. BOONE, Graeme M. Dufay's Early Chansons: Chronology and Style in the Manuscript Oxford, Bodleian Library, Canonici Misc. 213 (France), Ph.D. dissertation, Harvard University: 1987.

  14. REANEY, Gilbert. 'The "international" style and the Oxford Manuscript, Bodleian Library, Canonici Misc. 213', Musica Disciplina, XLI (1987): 15-26.

CONCORDANCES

1.Aosta, Biblioteca del Seminario Maggiore A1 D19 (93v-94, Gloria).
2.Bologna, Biblioteca Universitaria 2216 (51v-52, Invidia [i]nimica de ciaschun).
3.Bologna, Civico Museo Bibliografico Musicale, Ms Q 15. (76v-77, Gloria; 161v-162, Gloria; 220v-221, Jesu salvator seculi - Quo vulneratus scelere; 223v-224, O felix templum jubila; 224v-225, Venite adoremus dominum - Salve sancta eterna trinitas - [Venite]; 260v-261, Ut per te omnes celitus - Ingens alumnus Padue; 311, O felix templum jubila; 311v, O felix templum jubila; 311v-312, Venite adoremus dominum - Salve sancta eterna trinitas - [Venite]).
4.Cambrai, Bibliothèque Municipale B. 1328 (1176), f. 16 (16, J'aim. Qui? Vous. Moy!).
5.Chantilly, Bibliothèque du Musée Condé 564 (24v, Medee fu en amer veritable; 34, Ma douce amour, je me doi bien complayndre).
6.Florence, Biblioteca Nazionale Centrale, Panciatichiano 26 (17v-18, Invidia [i]nimica de ciaschun; 107v-108, Medee fu en amer veritable).
7.Florence, San Lorenzo, Archivio Capitolare 2211 [palimpsest] (62, Jesu salvator seculi - Quo vulneratus scelere).
8.Heiligenkreuz, Archiv des Zisterzienserstifts, fragment (1, Par un regart et un ris amoureux).
9.Modena, Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5) (29, Ma douce amour, je me doi bien complayndre).
10.Paris, Bibliothèque Nationale, fonds nouv. acq. français 4917 (3, Mon seul voloir - Certes m'amour).
11.Paris, Bibliothèque Nationale, fonds nouv. acq. français 23190 (olim Serrant Château, ducs de la Trémoïlle) (9v-10?, De tous les biens).
12.Perugia, Biblioteca Comunale C.43 (77, Invidia [i]nimica de ciaschun).
13.Strasbourg, Bibliothèque Municipale (olim Bibliothèque de la Ville) 222 C. 22 (97v, Jesu salvator seculi - Quo vulneratus scelere).
14.Warsaw, National Library III. 8054 (olim Krasinski 52) (192v-193, Gloria).
15.Warsaw, National Library, lat. F.I.378 (photographic copy only) (25, Gloria).

Recordings of works contained in this manuscript

  1. Ars Magis Subtiliter: New Albion Records NA 021 CD: Medee fu en amer veritable;.
  2. Lancaster and Valois: French and English music, 1350-1420: Hyperion CDA66588: Mon seul voloir; Certes m'amour; Ce jour de l'an que maint doist estrenier;.
  3. Geistliche Musik circa 1400: Telefunken AW6 41221 (SAWT 9505) (GER): Ut per te omnes celitus; Ingens alumnus Padue;.
  4. The Wandering Musicians. Flemish composers in Renaissance Italy: Turnabout TV 34512S (GB/USA): O felix templum jubila; Ut per te omnes celitus; Ingens alumnus Padue;.
  5. The Late 14th Century Avant Garde: EMI/HMV ASD 3621 (GB): Ma douce amour, je me doi bien complayndre;.
  6. Ballades, Rondeaux & Virelais from the 14th and 15th Centuries: Odyssey 32 16 0178: Ma douce amour, je me doi bien complayndre;.
  7. Dictionnaire des Instruments Anciens: Harmonia Mundi HMU (3) 445: Ma douce amour, je me doi bien complayndre;.
  8. Fifteenth Century Motets: Collegium Stereo JE 108: A virtutis ignitio; Ergo beata nascio; [Benedicta filia tua];.
  9. Historical Anthology of Music in Performance. Vol. 1: Late Medieval Mu: Pleiades P 250: Amans ames secretement; Gloria;.
  10. The Service of Venus and Mars: Music for the Knights of the Garter, 13: Hyperion A66238: Je vous pri que j'aye un baysier;.
  11. Johannes Ciconia: Musique en Wallonie 80040-44 (set): O felix templum jubila; Ut per te omnes celitus; Ingens alumnus Padue; Gloria, spiritus et alme; Gloria;.
  12. A Song for Francesca. Music in Italy, 1330-1430: Hyperion CDA 66286: Qui ne veroit que vos deulx yeulx; Puisque je suy amoureux; Pour mesdisans ne pour eur faulx parler;.


Content Approved by: MMDB Director
Last updated: Wednesday, 5 March 2003


Cantus
  
CAO-ECE
  
Cantus Planus
  
Vulgate
  
DIAMM
  
TML
  
Latin Dictionary