Medieval Music Database

Chicago, Private Library of Edward E. Lowinsky, Fragment

INVENTORIES

1. Répertoire international des sources musicales. BIV 3, 4. Handschriften mit mehrstimmiger Musik des 14., 15. und 16. Jahrhunderts, 2 vols, edited by Kurt von Fischer and Max Lütolf, G. Henle Verlag: Munich-Duisburg, 1972, pp. 1167-1168.


2. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550, 5 vols, Neuhausen-Stuttgart: American Institute of Musicology, Hänssler Verlag, 1979-1988. Renaissance Manuscript Studies 1, Vol. I, p. 149.

CONTENTS

1. S'amor in cor gentil ha signoria (Paolo da Firenze))


2. Dolze mie donna, grazios'e pia (Paolo da Firenze))


3. Doglia continua per la suo partita (Paolo da Firenze))


4. Amor, tu solo 'l sai (Paolo da Firenze))


5. Amor deh dimmi (Paolo da Firenze))

LITERATURE

1. PIRROTTA, Nino. 'Paolo da Firenze in un nuovo frammento dell' Ars nova', Musica Disciplina, X (1956): 61-66.


2. FISCHER, Kurt von. Studien zur italienischen Musik des Trecento und frühen Quattrocento, Bern: Haupt, 1956. Publikationen der Schweizerischen Musikforschenden Gesellschaft, Ser. II, Vol. 5.


3. Paolo Tenorista in a New Fragment of the Italian Ars Nova, A Facsimile Edition with an Introduction by Nino Pirrotta, Palm Springs: Gottlieb, 1961.


4. HAGOPIAN, Viola L. Italian Ars Nova Music. A Bibliographic Guide to Modern Editions and Related Literature, Berkeley, Los Angeles, London: University of California Press, 1964, pp. 62, 96, 105.


5. GÜNTHER, Ursula. 'Die "anonymen" Kompositionen des Ms. Paris BN, fonds ital, 568 (Pit)', Archiv für Musikwissenschaft, XXIII (1966): 73-92.


6. CLOUGH, Francis and G. J. CUMING. The World's Encyclopaedia of Record Music, Westport, Connecticut: Greeenwood Press, 1966. [includes first supplement 1950-1951].

CONCORDANCES

Content Approved by: MMDB Director
Last updated: Wednesday, 5 March 2003